Chan Kin-long

“I want to marry myself!” To plan for a solo wedding, to marry myself, to declare my forever love for myself to the world! Attractive comedienne Ping vows to become a viral Youtuber. She concocts a plan to put on a show of marrying herself in what was meant to secure both money and likes! However, the scam ultimately ended up in the discovery of her true self in this coming-of-age fairy tale comedy. To love others, I must love myself. Simple enough, right? But who am I? In a pageant of love, four contest as lovers, each one goodhearted in their own right. Does Ping want all four or none at all? By marrying herself, can she figure out who she really is? And who she really loves? Ping will tell it all on the day of the solo wedding… In this satire of marriage and the individual self, nothing is left untouched: women, men, organised religion, homosexuality, the filthy rich, not to mention ye good old mother! Love yourself in Say I do to me, won’t you?

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other’s company…

A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other’s company…

Serving countless newlyweds in Hong Kong’s go-to one-stop-shop of cheap wedding supplies doesn’t exempt Fong from social pressure to marry. Since nodding to Edward’s proposal, she has been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws. What befuddles her further is the reappearance of Shuwei, a mainlander she’s supposed to be divorced from out of a sham marriage that solved her coming-of-age hardship. Zeroing in on nuts and bolts of modern marriage, My Prince Edward pokes around fixated correlations of freedom with relationship status and geographic residence. Like a breath of fresh air out of the breathless space it navigates, the whimsical gem contributes a rare humane take on the worldly metropolis's divisions with humor and wisdom.

Una chica de 16 años empieza a trabajar en el contrabando con el objetivo recaudar lo necesario para acompañar a su rica amiga de vacaciones, cruzando algunos límites en el proceso.

Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.

Love, is always a complicated theme. He thought he had forgotten her, yet he didn't. Finally, he and she meet again, however, it's too late. She is engaged. And he has become her wedding photographer. She thought she had let him go,yet she didn't. He is still in her heart. Will love go on, or way back? It's complicated.

Chi-chung conoce a Jiamei por internet. Él es camionero. Ella trabaja como chica de compañía. Los dos establecen una relación virtual que desemboca en un trágico encuentro: cuando por fin se ven, ella le dice que quiere morir y él termina por estrangularla. El policía encargado del caso tratará de encontrar la verdad.

Cuando un antiguo policía, reconvertido en dueño de bar, traba amistad con una borracha a la hora de cerrar, poco podría imaginarse que se convertirían en el objetivo del antiguo amante de ella, un poderoso abogado de Hong Kong, y de los matones que contrata.

Desde la infancia, Sook-Hee ha sido entrenada para convertirse en una asesina sin piedad. Cuando Madame Kwon, la jefa del servicio de información de Corea del Sur, la recluta como agente durmiente, le ofrece una segunda oportunidad. “Danos diez años de tu vida y tendrás tu libertad”. Su nueva identidad es Chae Yeon-Soo, una actriz de teatro de 27 años. Con la promesa de una libertad completa a cambio de servir a su país durante diez años, Sook-Hee emprende una nueva vida. Para esta mujer que ha vivido como asesina, llevar una existencia normal no resulta una tarea sencilla. Pero cuando dos hombres entran en su vida, los secretos de su pasado … (FILMAFFINITY)

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...