František Novotný

"A musical film of the totalitarian era" is the the second title of the film. The film is based on a legendary school film of Tomáš Vorel, called INg (1985).The story line stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

In Vražda v hotelu Excelsior, the interwar period homicide detective squad from Prague investigates the murder of a wealthy woman, Mrs Matoušová, which threatens the reputation of the eponymous luxury hotel popular with Prague’s elite. Even the retired police inspector Mrázek (František Filipovský), who works at the Excelsior as a hotel detective, is unable to help at first. Although the investigation inevitably uncovers the hotel staff’s scheming, Vacátko and his team unerringly follow the trail that leads them to the murderer…

In a suburban villa, a woman of means is murdered. Police Superintendent Zdychynec from the Prague Liben neighborhood reports the case to Police Councilman Vacátko, upon whose order an investigation is launched immediately. Zdychynec begins to suspect the wooer of his own daughter, a handsome dragoon named Rudi, of the crime. In Rudi's absence, Zdychynec searches his rented room in the apartment of the elegant Mrs Dragicová. All his findings - among others, sand left on Rudi's jackboots and a decent amount of money in his bedside table - convince the superintendent that he is following the right lead, especially when Rudi refuses to say where he was at the time of the murder.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.

Tony vive solo desde hace tiempo a modo de huraño ermitaño, hasta de las injusticias del mundo. La muerte de un matrimonio amigo le obliga a acoger a su hijo, un niño, hecho que cambia su vida.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

The kids were smoking secretly in a barn, set fire and fled. Feeling that the investigation closely, "sits on his tail" and soon will be declared to her parents, the protagonist escapes from home. The charred ruins of the barn, he meets a young man who is also why some carefully avoids meeting people, and tied him. According to the book Hoffmann Ota (Ota Hofman).

Ivan Passer’s film concerns the dreams of two musician friends, one of whom, having left their small hometown to become successful, returns to visit the other who stayed behind to become a local music teacher.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

Several parties—a prostitute, aging football players, working girls, two men playing pool, and a hedonistic young man—each coalesce in a tavern.

Ante la presión de su padre, Petr, un adolescente, debe comenzar a trabajar en un almacén. Su trabajo es el de vigilar que los clientes no roben mercadería. En una ocasión, durante el trabajo, creyendo haber visto a un cliente robar, pero no estando seguro, sale a perseguirlo por la ciudad, hasta darse cuenta de que está cerca de su casa, por lo que decide no volver al almacén ese día. Petr está mucho más interesado en una joven amiga suya, y prefiere pasar el tiempo con ella.

Explores young adults' fears of being conscripted by the communist government into working outside of Prague, a relative oasis of creativity and freedom of thought. From an early script by Milos Forman.

Five years old Johnny is going for his first journey with no parents.