Jessica Sarah Rinland

Jessica Sarah Rinland

Historia

Argentine-British artist filmmaker, Jessica Sarah Rinland has exhibited work in galleries, cinemas, film festivals and universities internationally including NYFF, BFI London Film Festival, Rotterdam, Oberhausen, Edinburgh International Film Festival, Bloomberg New Contemporaries and Somerset House Galleries. She has won awards including Primer Premio at Bienale de Imagen en Movimiento, Arts + Science Award at Ann Arbor Film Fetisval, ICA's Best Experimental Film at LSFF, and M.I.T's Schnitzer prize for excellence in the arts. She has received grants from Arts Council England, Wellcome Trust, Elephant Trust and elsewhere. Residencies include the MacDowell Colony, Kingston University, Locarno Academy and Berlinale Talents. She is currently an Associate Artist at Somerset House Studios and a Film Studies Center Fellow at Harvard University.

Perfil

Jessica Sarah Rinland

Películas

Samsara
Director of Photography
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, alongside with teenage monks, we will accompany a soul in its transit from one body to another through the bardo. The words of the "Tibetan Book of the Dead" will be our guide to avoid getting lost in the afterlife. A luminous and sonorous journey that will lead us to reincarnate on the beaches of Zanzibar, where groups of women work in seaweed farms.
Puerta a puerta
Director
Una caja se llena con aspirina, melocotones en lata, cereal, frijoles y ropa. El Sr. Mario de Venus Service Express la retira por una puerta en Boston, EEUU. La caja se acomoda entre otras como un tetris postal, que luego de un largo recorrido, llegará a Falcón, Venezuela, a la puerta de la tía Maya.
Sol de Campinas
Editor
Sol de Campinas traces the work of archaeologists who, for the past ten years, have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.
Sol de Campinas
Director of Photography
Sol de Campinas traces the work of archaeologists who, for the past ten years, have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.
Sol de Campinas
Producer
Sol de Campinas traces the work of archaeologists who, for the past ten years, have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.
Sol de Campinas
Director
Sol de Campinas traces the work of archaeologists who, for the past ten years, have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.
Those That, at a Distance, Resemble Another
(voice)
With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.
Those That, at a Distance, Resemble Another
Foley Artist
With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.
Those That, at a Distance, Resemble Another
Director of Photography
With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.
Those That, at a Distance, Resemble Another
Editor
With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.
Those That, at a Distance, Resemble Another
Producer
With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.
Those That, at a Distance, Resemble Another
Director
With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.
Black Pond
Director
Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.
Boys on Film 18: Heroes
Director of Photography
Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett… Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop… Tamara Shogaolu's animated "Half A Life"… Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd… Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor… Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker… Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt… Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"… Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert… and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.
The Colour of His Hair
Director of Photography
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
Y Bera : Aguas de Luz
Director
Accounts ranging from varying moments in human history, describe the organisms that inhabit the second largest wetland in the world.
The Blind Labourer
(voice)
The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.
The Blind Labourer
Editor
The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.
The Blind Labourer
Director of Photography
The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.
The Blind Labourer
Producer
The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.
The Blind Labourer
Writer
The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.
The Blind Labourer
Director
The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.
Expression of the Sightless
Director of Photography
A blind man’s inquisitive hands explore a sculpture.
Expression of the Sightless
Producer
A blind man’s inquisitive hands explore a sculpture.
Expression of the Sightless
Director
A blind man’s inquisitive hands explore a sculpture.
The Flight of an Ostrich (Schools Interior)
Director
Birds are masters of the sky. The ostrich is incapable of doing the one thing birds are famous for – they cannot fly. They compensate their impotence by having the largest eyes and by being the fastest birds on land, seldom caught by predators. Schools Interior: The Flight of an Ostrich links this description of the ostrich to a moment during the life of a chin-down, shy eight-year-old girl who, while watching an educational video about ostriches, grasps an opportunity and flies in the face of her peer group.
We Account the Whale Immortal
Director
The whale forever exists, like utopia, as a parable, a myth, and a nightmare – caught between the wide open ocean and our two-dimensional confinement, between reality and imagination. We Account the Whale Immortal, an ever-changing film and a one off performance, explores the arrival of three mythic whales in the Thames, from the 17th to the 21st century, as evocative emblems of utopian intent.
Like Lust
Director
The film uses natural history footage—human desire, spermatozoa, even cellular division—and sensual contemporary shots to dazzling effect. Is it mitosis or meiosis going on in there? Hard to tell, but either way, reproduction is a theme entirely at one with the band’s carnal sound.
Necropsy of a Harbour Porpoise (Seeing From our Eyes into Theirs)
Director
A response to Stan Brakhage’s The Act Of Seeing With Ones Own Eyes which creates a blunt statement on the human condition by depicting human autopsies. Necropsy of a Harbour Porpoise (Seeing From Our Eyes Into Theirs) examines the ever-enigmatic whale by revealing its interior, taking away its mystery and disparity, highlighting similarities between seemingly contrasting, expired organisms.
Not as Old as the Trees
Director
80-year-old Saul has lived in London all his life. For the past 20 years he has spent his spare time climbing trees in Hampstead Heath.
Adeline for Leaves
Director
Adeline For Leaves explores nature, science and mythology through the eyes of an eleven-year-old botanical prodigy and her recently deceased, elderly mentor.
Description of a Struggle
Director
" It must wait until the breath voluntarily leaves its body, even though it sometimes gazes at me with a look of human understanding, challenging me to do the thing of which both of us are thinking. " - Description of a Struggle: Franz Kafka
A Boiled Skeleton
Director
The journey of a bottlenose whale, caught in 1860 and currently stored in the basement of UCL's Grant Museum. Voice by ex-whaler John Burton.
Electric Oil
Director
In 1868, Laura Jernegan, a 6 year old girl from Massachusetts, USA set out on a three year whaling voyage to the Pacific Ocean. During this voyage, Laura wrote a journal about her life on the whaling ship. She mainly notes banal daily events, but regularly describes the slaughter of whales in great detail.
Nulepsy
Director of Photography
Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.
Nulepsy
Director
Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.
Darse Cuenta
Director
An unidentifiable image appears and disappears. A voiceover accounts the invisibility of a hole in the middle of a road (poem by Jorge Bucay).
Querida Chick: Jessica Sarah Rinland to Chick Strand
Director
Garbiñe Ortega, Artistic Director of Punto de Vista, came up with the idea of creating a collective audiovisual project in which several filmmakers would make a filmed letter addressed to another filmmaker they did not know personally and who was as far as possible from their own cinema. This is how THE LETTERS THAT WEREN'T AND ALSO ARE was born. The result is an exciting journey through their affinities, their admiration and their creative processes.
Collective Monologue
Director