Cinematography
After years of substance abuse, Michael’s father returns to his life, but an old family trauma continues to haunt the Graversen family. A film with heart and courage about regaining the belief in life and each other.
Screenplay
After years of substance abuse, Michael’s father returns to his life, but an old family trauma continues to haunt the Graversen family. A film with heart and courage about regaining the belief in life and each other.
Director
After years of substance abuse, Michael’s father returns to his life, but an old family trauma continues to haunt the Graversen family. A film with heart and courage about regaining the belief in life and each other.
Director
When Europe’s Moria refugee camp burns to the ground, two friends from Aleppo choose to stay in the ruins and survive by scavenging metal in the apocalyptic world left by the fire. But they are in a race against the clock as the metal is taken by Roma people filling up their cars and Greek authorities filling up trucks with excavators, while the police is on the searching for fugitive refugees.
Director
17-year-old Wasiullah is a teenager like the rest of them. He hangs out with his friends, cracks jokes, takes selfies and flirts with girls. Denmark has become his home after spending three years in asylum centres after arriving alone from Afghanistan. But when Wasiullah turns 18 and his asylum application is rejected, he is suddenly forced to leave the country. He fears for his life in Afghanistan and with the violent family he fled from, and chooses to flee to Italy in the hope that an Italian residence permit will allow him to return to Denmark.
