Mohammed Soudani

A trip that will take us to 7 African countries (Ghana, Senegal, Rwanda, Mozambique, Kenya, Ivory Coast, Burundi) to meet powerful women determined to do everything possible to offer a better future to the African people. These women will explain how they think they are working to save the continent, which must resolutely embrace integration into the world economy because the years of totalitarian male rule in Africa have been catastrophic. A film that will make us understand that the future of Africa belongs to women.

“Many years ago, men and lions used to live in peace together and were allies. They protected each other. But little by little men forgot about their deal and in the end the lions did the same.” These are the words that Lionel’s dying grand-father whispered to him in his village in Africa. Lionel is an 11-year-old boy who leaves happily in Switzerland with his mother and step-father. During a school trip to the zoo, Lionel is irresistibly attracted to an old lion lying in a cage. The lion starts to communicate with him and asks him to find a way to set him free in order to go back to Africa. With the help of his best friend Federico and of his classmates, Lionel is determined to keep his promise…

“Many years ago, men and lions used to live in peace together and were allies. They protected each other. But little by little men forgot about their deal and in the end the lions did the same.” These are the words that Lionel’s dying grand-father whispered to him in his village in Africa. Lionel is an 11-year-old boy who leaves happily in Switzerland with his mother and step-father. During a school trip to the zoo, Lionel is irresistibly attracted to an old lion lying in a cage. The lion starts to communicate with him and asks him to find a way to set him free in order to go back to Africa. With the help of his best friend Federico and of his classmates, Lionel is determined to keep his promise…

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

In West Africa during the late 17th century, King Adanggaman leads a war against his neighboring tribes, ordering his soldiers to torch enemy villages, kill the elderly and capture the healthy tribesmen to sell to the European slave traders. When his village falls prey to one of Adanggaman's attacks, Ossei manages to escape, but his family is murdered except for his captured mother. Chasing after the soldiers in an effort to free her, Ossei is befriended by a fierce warrior named Naka.

Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy.

Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy.

Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy.

A West African pig farmer has a religious vision, wherein he is told that he'll be Magloire the First, a prophet of Christ. He then sets out to rid his local villagers of superstition and instead save them for Jesus.