Phillippa Galli

A kidnapped bride. A distraught hero. Odysseys through surreal worlds. Menandros and Thaïs are freshly married, but the wedding day ends bloodily. Thaïs is abducted by pirates. Searching for her, the bridegroom becomes a bloodthirsty monster, his horse grows wings, a witch promises him to another woman, King Xerxes unmans him, but everything comes to an happy end. Or does it?

Rudi wears a suit, Daniel rides a bike. But despite all the differences between the two brothers, they become interested in the same woman. For different reasons, however - as Nora soon discovers...A comedy with depths, about loyalty, family ties and manipulation.

The catastrophe is perfect: Gustav Klimt's world-famous "kiss" was stolen from the museum. What is a problem for some is a salvation for others. For the impoverished Count Leopold, the loss of the picture is an advantage, because now he can earn the sum insured for the family-owned work of art. For the fashion designer Isabella, theft is definitely a problem too much. Not only is her father Albert, who was supposed to guard the picture on the night of the crime, now with a heart attack in the hospital, he admits to her that the stolen Klimt made a self-made ...

A sus 50 años, Johanna, una bella mujer divorciada y con dos hijos ya adultos, ha vuelto a encontrar el amor al lado de Klaus, con quien está a punto de mudarse para iniciar una nueva vida juntos. Sin embargo, inesperadamente, reaparece en su vida Walter, el apuesto profesor de Literatura con el que mantuvo un apasionado romance 20 años atrás. En aquel entonces, Johanna ya estaba casada y tenía un hijo de 5 años, pero se enamoró locamente de Walter. Cuando él se fue a los EE.UU., ella decidió quedarse con su familia, embarazada de su hija Marie. Ahora que Walter ha regresado, Johanna no sólo está confundida sobre sus sentimientos y sus deseos, sino que acaba de descubrir que Marie se ha enamorado de Tom, el hijo de Walter, y teme que los dos muchachos puedan ser medio hermanos.

Die Heldin in „Die Hebamme – Auf Leben und Tod“ ist eine Reisende zwischen den Welten und den Zeiten. Zwischen den Autoritäten anno 1813, der Kirche und der Wissenschaft, bleibt Rosa Koelbl eine Fremde. Die Zeit ist noch nicht reif für die Werte, die diese Frau verkörpert. (Quelle: http://www.tittelbach.tv/programm/fernsehfilm/artikel-1422.html)

One of four flatmates starts living behind his locked door. A psychological warfare begins, that finally escalates.

Lena is homeless. She couldn't get a foothold in the big city, she hasn't been at home in the country for a long time and she only knows the big, wide world, which she allegedly traveled as a waitress on a cruise ship, from hearsay. Her grandfather's funeral is now both an occasion and an excuse for her to return to the village in the hope of finding her place in life here after all.