Walter Supper

Baron Franz von Naydek is constantly being mistaken for Prince Woronzeff, since both look identical. One day, Woronzeff decides that this similarity might come in handy. Since he is very ill and can no longer deal with the intrigues of his relatives, he begs his friend Naydek to play the role of prince for a while. Naydek agrees and everything seems to be going splendidly. Woronzeff’s ex-nag Diane sees through the game, however, but says nothing, since she’s fallen for Naydek. He, in turn, has the hots for Nadja, Woronzeff’s daughter, long thought lost and who has now reappeared. The prince’s relatives fear for their inheritance and so refuse to acknowledge Nadja’s existence. In the interim, Woronzeff dies. Now Naydek is obliged to play the role for a much longer time than he bargained for.

The title of this heavily plotted German melodrama translates as "This One or None". Gitta Alpar stars as Eve, whose emotions are torn between two European princes, lifelong rivals who happen to be brothers. Eve prefers the nicer of the two princes, but this doesn't stop the other from aggressively stepping up his courtship. When the less agreeable of the two monarches takes control of the throne, he orders Eve to make an immediate choice between himself and his brother. Though old-fashioned in concept and execution, "Die - oder keine" benefitted from the charming presence of Gitta Alper.

Manuela es una adolescente que es enviada a un rígido internado después de la muerte de su madre. La directora del establecimiento es una convencida de que el hambre y la disciplina afirman el carácter de las niñas, pero Manuela tiene problemas ajustándose a la rígida disciplina de la directora. Así la niña es cuidada por la maestra Elizabeth Von Bernburg, que es la profesora más joven del internado y por la que todas las niñas (incluida Manuela) suspiran enamoradas... Basada en una obra de Christa Winsloe, fue la primera película que claramente trataba el tema del lesbianismo, y obtuvo un considerable éxito tanto en Europa como en Estados Unidos.

It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

During a test run for a large race in Sicily the racing car driver Bettina Bang gets into an accident and is saved by a secretive person unknown to her. It later turns out that the unknown man is the race car driver Harry Bredow.

After eight years in exile Martin returns to Berlin. He was involved in the German Revolution of 1918/1919 and had to leave the country as a result. Impoverished and lonely, he struggles on alone until the market saleswoman Hanne offers him shelter, although she does not have much money either. They fall in love and Martin even finds work on the construction site for the subway through Tempelhofer Feld. One day, however, he collapses there, whereupon the pregnant Hanne tries to nurse him back to health.