Rémon Fromont

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

The history of barbed wire, whose use dates back to the first settlers of the Wild West, always driven by their reckless and ruthless spirit of conquest and selfish ambition to leave their mark on wild lands; of its relationship with politics and mercantilism; of the perversion of the millenary relationship between men and animals; of the evolution of surveillance techniques. Fences and borders: the tragic tale of the enclosure of the world.

Documentary about belgian actor and director Bouli Lanners

Love always wins The class struggle between loving the poor, or asking yourself an excuse to be selfish for trying to live a luxury life,

Social comedy about 2 forty-somethings who're looking for a new purpose in life.

Wendo Kolosoy was a former boxer and ship's mechanic from the Congo who in 1948 recorded a song called "Marie Louise" as Papa Wendo. Wendo's music, an infectious blend of Latin and African rhythms, took the nation by storm and he became an overnight star among the Congolese. However, while the sound Wendo created proved to have a lasting influence in the Congo, his own fame waned, and as he slipped into obscurity, he watched the sad history of his nation unfold, as the end of colonialism led to wave after wave of bloody violence. Wendo's music, however, has been discovered by a new generation of music fans, and the aging musician continues to perform as often as he can.

A documentary look at the fate of Mexicans who cross the border into the United States.

In this documentary road movie, filmmaker Danielle Arbid tries to conjure up an image of the country that is called Israel or Palestine.

Lettre d’un cinéaste à sa fille is a playful, free and personal film in the form of a letter, a film interwoven with a thousand stories knit together with different textures, a book of images where a filmmaker shows the images and the stories he wants to share.

Chantal Akerman viajó a la Sudamericana hacer una película sobre la vida en la tierra que informó e influyó William Faulkner y James Baldwin, pero poco después de su llegada, una historia impactante comenzó a dominar los titulares. El foco de la película de Akerman cambió dramáticamente, y ahora “Sur” explora las reacciones de la gente de Jasper sobre este crimen atroz.

A short film for three pairs of hands and three tables, based on a notable composition by the director.

Este documental es un retrato de su padre, Jiménez busca comprenderlo y entender lo que siente, qué vivió cuando falleció su madre, como sobrevivió sin la presencia de sus hijas y cuál es su situación ahora. Para ello, la directora lo acompaña a lo largo de su vida, yendo a sus recuerdos, viajando a los sitios en los cuales estuvo durante la niñez de la directora y posteriormente cuando ella ya estaba en Bélgica y le escribía cartas. En torno a ellas gira el documental: las cartas que él le envío, las cartas que le escriben juntos a la madre fallecida, y la carta que le escribe Jiménez a su padre, una carta audiovisual, este film.

Janine Bazin and André Labarthe approached Chantal Akerman about making a film for the series; eagerly, Akerman proposed a number of filmmakers—but all had already been done. So she suggested…“How about me?” Akerman creates a fascinating self-portrait that takes us through her career, aided by critics Emmanuel Burdeau and Jean Narboni and filmmaker Luc Moullet.

A European official seeking to leave the Congo with his mistress in 1960 is stopped at a checkpoint.

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

Céramique y Louis son una joven pareja despreocupada y llena de encanto, pero pronto comienzan a aparecer los caprichos del amor y deben enfrentarse a ellos.

Un psicólogo norteamericano que está al borde de un ataque de nervios y una bailarina francesa intercambian sus apartamentos de Nueva York y París. No se conocen, pero la personalísma decoración de sus casas van despertando la curiosidad del uno por el otro.

Chantal Akerman has toured Eastern Europe through Russia, Poland, Ukraine filming everything that moved her : faces, streets, cars, buses, stations, landscapes, interiors, queues, doors, windows, meals. Women and men, young and old passing or stopping, seated or standing. Days and nights, rain, snow and wind, winter and spring.

Events of strange and serious nature mark the invention and the manufacture of the nylon stockings. For example inhuman exploitation of workers in artificial silk factories. The US army was a substantial promoter of the nylons.

Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.

Comedy about a clumsy female intern conducting her first survey about smoking and smokers. Both flattered and impressed, she meets a few major artistic figures such as Serge Gainsbourg or Bernard Lavilliers. But the film is also about the cigarettes which helped to make Humphrey Bogart, James Dean - and several others - immortal myths. And about the cigarettes and cigars of ordinary people which fill restaurants and other public places with their heavy smoke.