Natalia Osipova

Natalia Osipova

Nacimiento : 1986-05-18, Moscow, Russia

Historia

Natalia Petrovna Osipova is a Russian ballet dancer, formerly with the Bolshoi Ballet and Mikhailovsky Theatre, she is currently a principal ballerina with The Royal Ballet in London.

Perfil

Natalia Osipova

Películas

Joika
Natalia Osipova
La bailarina de ballet estadounidense Joy Womack es aceptada en la infamemente dura Academia de Ballet Bolshoi de Moscú, con el sueño de convertirse en una gran bailarina.
The Royal Ballet: Mayerling
BARONESS MARY VETSERA
Inspired by dark and gripping real life events, this Royal Ballet classic depicts the sexual and morbid obsessions of Crown Prince Rudolf leading to the murder-suicide scandal with his mistress Mary Vetsera. The oppressive glamour of the Austro-Hungarian court in the 1880s sets the scene for a suspenseful drama of psychological and political intrigue as Rudolf fixates on his mortality. Kenneth MacMillan's 1978 ballet remains a masterpiece of storytelling and this revival marks 30 years since the choreographer’s death. Expect to see the Company at its dramatic finestacross potent ensemble scenes and some of the most daring and emotionally demanding pas de deux in the ballet repertory.
Royal Opera House 2021/22: Swan Lake
Giselle
This classic fairy tale depicts the struggle between good and evil, and love's quest to conquer all. The magic of the lakes, forests and palaces is breathed into life through the splendid setting by John Macfarlane and the perfect score by Tchaikovsky. The Royal Ballet's magnificent production of Swan Lake returns to the stage of the Royal Opera House after its 2020 revival was interrupted by the theater's closure amid the pandemic. This classic of the repertoire is a testament to the late choreographer Liam Scarlett's enduring love of classical music and innate musicality, which are also evident in this productionv
Royal Ballet All-Star Gala
The stars of the Royal Ballet perform a very special selection of the best of ballet. From the ultra-contemporary Untouchable by Hofesh Schechter to the Hollywood glitz of Carousel, there is something for everyone in this glorious gala. The stellar partnership of Marianela Nuñez and Vadim Muntagirov tackle one of the great classical pas de deux from Don Quixote, and the larger forces of the whole company are seen in Elite Syncopations. Natalia Osipova dances the famous Dying Swan, and choreographers including Wayne McGregor, Christopher Wheeldon and Cathy Marston rub shoulders with Frederick Ashton and Kenneth Macmillan. The orchestra of the Royal Opera House is conducted by Jonathan Lo. Presented by Anita Rani.
In Her Hands
Camille Claudel
Dance film inspired by the life and work of the artists Camille Claudel and Auguste Rodin.
Concerto / Enigma Variations / Raymonda Act III (Royal Ballet)
Raymonda / Variation 6 (Raymonda Act III)
CONCERTO ENIGMA variaciones raymonda
Force of Nature Natalia
Herself
A portrait of dance superstar Natalia Osipova which combines unique access to the rehearsal rooms of the Royal Ballet with Natalia's contemporary dance projects, to give an unparalleled glimpse into the working life of a great dance artist.
The Royal Ballet: Within the Golden Hour / Medusa / Flight Pattern
Medusa
EN DIRECTO EN CINES DE ESPAÑA Y ANDORRA EL JUEVES 16 DE MAYO DE 201 9, 20:15H. DOS OBRAS RECIENTES Y UN ESTRENO MUNDIAL MUESTRAN EL ROSTRO CONTEMPORÁNEO DE THE ROYAL BALLET. El rostro contemporáneo de The Royal Ballet se revela en obras firmadas por tres de los más destacados coreógrafos actuales. Within the Golden Hour, de Christopher Wheeldon, se basa en siete parejas que se separan y entremezclan, con música de Vivaldi y Bosso, y se encuentra iluminado por ricos colores sugeridos por el anochecer. Flight Pattern, de Crystal Pite, que se repone por primera vez, utiliza una gran danza de conjunto y se vale de la familiar música de Górecki tomada de su Sinfonía de las Canciones Quejumbrosas para realizar una intensa y apasionada reflexión sobre la migración. Entre una y otra, una nueva obra de Sidi Larbi Cherkaoui, creada para The Royal Ballet, en su estreno mundial.
La Bayadère (Royal Ballet)
Gamzatti
Set in the Royal India of the past, La Bayadère is a story of eternal love, mystery, fate, vengeance, and justice. The ballet relates the drama of a temple dancer (bayadère), Nikiya, who is loved by Solor, a noble warrior. She is also loved by the High Brahmin, but does not love him in return, as she does Solor.
Anastasia
Anastaria/ Anna Anderson
Royal Ballet Principal Natalia Osipova dances the title role in Kenneth MacMillan’s haunting ballet, to atmospheric music by Tchaikovsky and Martinů. Anastasia tells the story of Anna Anderson who, following the Russian Revolution and the murder of the royal family, claimed she was the surviving Grand Duchess Anastasia. Many believed her to be an imposter; others hoped she was Anastasia, a remnant of a lost world. A powerful, psychological challenge for the lead dancer, Anastasia explores one of the great historical mysteries of the 20th century, only recently solved, and the distorting mirror of memory, time and place.
Woolf Works
Becomings
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.
Tchaikovsky: Swan Lake (The Royal Ballet)
Tchaikovsky: Swan Lake – The Royal Ballet
La Fille Mal Gardée (The Royal Ballet)
Lise
Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.
Don Quixote
Kitri / Dulcinea
Don Quixote is a 19th century work, choreographed by Petipa in 1869. Rudolf Nureyev revived it in 1966 and it is his version in La Scala Ballet’s repertoire, much loved by ballet audiences for its winning mix of technical bravura, exuberance and comic touches. La Scala Ballet brought the world of a fantastical Spain brilliantly to life with their sophisticated dance, music, costumes and sets, energetically accompanied by the Queensland Symphony Orchestra, conducted by David Coleman.
Giselle
Giselle
The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.
La Scala Ballet: Notre-Dame de Paris
Esmeralda
With Roland Petit’s cool, cabaret-style choreography and chic costumes by Yves Saint Laurent, Notre-Dame de Paris has been a modern ballet hit ever since its 1965 premiere. Petit’s deft condensation of Victor Hugo’s epic and tragic novel is now renewed by two stars of our own time, Roberto Bolle and Natalia Osipova: a stunning tribute to Petit’s genius after his death in 2011. Recorded live at Teatro alla Scala, Milan, March 2013.
Bolshoi Ballet: Coppélia
Swanilda
In this joyful version, a beautiful mechanical doll interferes with the happiness of two lovers. Original choreography by Marius Petita. New version by Sergei Vikharev. Music by Leo Delibes. Live performance 29 May 2011.
The Flames of Paris
Jeanne
A tale of the French Revolution, The Flames of Paris belongs to the pearls of the pure classics of classical dance. This world premiere recording of the production from choreographer Alexei Ratmansky (after Vasily Vaynonenon) and the Bolshoi Ballet, features the standout soloists Natalia Osipova and Ivan Vasiliev. Although set in revolutionary France, The Flames of Paris was intended to serve as an allegory for contemporary events in the Soviet Union. The ballet premiered in 1932 on the anniversary of the October Revolution, and one of its main characters was the population - revolutionary in mood and ready for action. Not surprisingly, The Flames of Paris was quickly included in the ranks of works which were always presented for major anniversaries.The choreographer Alexei Ratmansky has attempted to make maximum use of the preserved fragments of Vasily Vainonen in his new ballet.
The Mother
The Mother
The Mother is a powerfil, narrative dance production choreographed and directed by Archar Pita a master storyteller: Inspired by Hans Christian Andersen's dark tale, The Story of a Mother, this sumptuously designed production stars international dance superstar Natalia Osipova and multi-award winning dancer Jonathan Goddard. This inventive new production conjures up a dangerous, kaleidoscopic world. combining narrative dance and drama. In setting out to save her sick child, a young mother journeys into the unknown to face life and death. Will she succumb to the forces of evil, or will the power of motherhood prevail?