Antonino Fogliani

After a victorious battle, the witches predict a crown for the Scottish commander Macbeth. In response to the witches’ prophecies, Macbeth’s thirst for power is fuelled dangerously by his wife and they decide to murder their king Duncan in his sleep. With this act of blood, they unleash an unprecedented spiral of violence that will lead them straight into the abyss. Macbeth is one of William Shakespeare's most demonic works. In order to capture the supernatural atmosphere of the original play, the ardent Shakespeare admirer Giuseppe Verdi composed closely to the text and boldly experimented with new timbres. In a remarkable stage design by Henrik Ahr, which resembles a huge cauldron, Michael Thalheimer focuses his production on Macbeth, Lady Macbeth and the witches. Verdi specialist Antonino Fogliani conducts a stellar production, in which the opulent choruses repeatedly provide musical highlights.

Puccini’s last opera is all about riddles. The Emperor of China rules over the Forbidden City of Peking. His unmarried daughter, the Princess Turandot, has refused her hand to all her princely suitors by putting them to a test. She sets them three riddles; if they do not answer them correctly, they will lose their heads. As unlucky suitors fail and fall, up steps Calaf, a prince of the Tatar people. Daniel Kramer’s new staging in Geneva transposes the old fairy tale to a futuristic world where Turandot’s magic holds sway. In a dystopian game show, reminiscent of Hunger Games, the Princess presides over a surveillance state in which men are culled and the reproduction of the human race is conducted in breeding labs.

A guileless Japanese girl gives up everything to marry a lieutenant in the US Navy. But when he suddenly leaves the country, she is determined to wait patiently until he sails back into harbour. Live from Valencia's iconic Palau de les Arts, the audience favourite Madama Butterfly returns with soprano Marina Rebeka and tenor Piero Pretti in the leading roles. Director Emilio López’s staging culminates in the bleak landscape of Nagasaki destroyed by the atomic bomb to evoke Puccini's early outcry against the soul-crushing spirit of colonialism.

In a city gripped by religious fanaticism, a Jewish goldsmith and his daughter face the perils of being outsiders. A great secret could save their lives - or else bring death and revenge. One of the great achievements of French opera, Fromental Halévy's La Juive was controversial from the start. For some an insult to religion and the state, for others a plea for tolerance, it is above all a human tragedy about a persecuted family. Roy Cornelius Smith and Corinne Winters star in this award-winning production by director Peter Konwitschny.

Very nice set and costumes by Mauro Carosi. The procuction is well staged in the relatively small scene at Parma by Joseph Franconi Lee. Here's a performance that really works.Everything seems just right, but if you MUST have the top soloists (Pavarotti, Domingo...), look elsewhere. However, I think that the ones here (Susanna Branchini (Aida), Mariana Pentcheva (Amneris), Walter Fraccaro (Radames), Alberto Gazale (Amonasro), Carlo Malinverno (Il Re di Egitto) do a fantastic job. Also pluses for the ballet and the video production.

Very nice set and costumes by Mauro Carosi. The procuction is well staged in the relatively small scene at Parma by Joseph Franconi Lee. Here's a performance that really works.Everything seems just right, but if you MUST have the top soloists (Pavarotti, Domingo...), look elsewhere. However, I think that the ones here (Susanna Branchini (Aida), Mariana Pentcheva (Amneris), Walter Fraccaro (Radames), Alberto Gazale (Amonasro), Carlo Malinverno (Il Re di Egitto) do a fantastic job. Also pluses for the ballet and the video production.