Khalid Shamis

Koekie, Fluksie, Sanna and Jo-Marie live together in a safehouse in Bredasdorp, a small town in South Africa. This community of around 15,000 has been shaken by a series of rapes and murders of women. Community worker Lana O’Neill felt compelled to create a safe place for the most vulnerable women, so that what happened to Anene, Kayde, Sulnita and Jodene doesn’t happen to them too.

For one week in Gaborone, Botswana, a collection of aspiring lawyers gathers for the annual African Human Rights Moot Court Competition. Competitors represent the top law schools from their respective nations as they debate a new issue each year. This time around, the focus is on the rights of refugees. Developing arguments that will be judged by practicing lawyers, the next generation discovers what policy should look like in the African continent and where advancements can be made across the region. While you may come for the competition in African Moot, you stay for the rising stars learning on the ground what it means to fight for their cause, country and continent as one.

In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.

In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.

In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.

In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.

The film follows the plight of young Zimbabwean artist Kudzanai Chiurai, casting light on the creative process behind his art piece "State of the Nation".

In his debut documentary, Dylan Valley explores the untold Creole history of Afrikaans, using what he knows best: HipHop, humour and personal perspective. The film follows a group of local artists creating the stage production (or 'hip-hopera'), AFRIKAAPS, as they trace the true roots of Afrikaans to slaves in the Cape. The play, and the film, reclaims and liberates Afrikaans from its reputation as the language of the oppressor, taking it back to the people who own it. Features music from Jitsvinger, Kyle Shepard, Emile (black noise), Moenier Parker, Shane Cooper, Blaq Pearl, the powerhouse bboy, Bliksemstraal, and the poetic genius of Jethro Louw.