Olga Sánchez Tapia

Películas

Ni en la más oscura de mis tardes
Art Direction
Lidia, una maestra de preparatoria de un pequeño pueblo e hija de un importante ex-político del país, está a punto de ser ascendida a directora. Sin embargo, sus planes se ven interrumpidos cuando surgen acusaciones de abuso sexual infantil contra Raúl Carrera, su padre. Lidia tendrá que afrontar los señalamientos y las consecuencias de dichas declaraciones mientras los secretos familiares van saliendo a la luz
Contraviento
Producer
A homeless man recites poetry on the streets. A young man who is studying the new wave of writers at Mexico takes notice of this talent and starts following him.
Libar
Costumer
Santiago and Jared , two teenagers of opposite personality spend an afternoon together looking for ways to overcome their differences. After an act that begins as a game their senses will find the space to coincide.
Libar
Art Direction
Santiago and Jared , two teenagers of opposite personality spend an afternoon together looking for ways to overcome their differences. After an act that begins as a game their senses will find the space to coincide.
Exilio
Screenplay
After many years of exile in Mexico, Mauricio has to return to his native Argentina for labor issues. He takes the opportunity to find his half sister Leonora, both are children of Martina, disappeared during the 1976 Argentine Military Dictatorship.
Exilio
Director
After many years of exile in Mexico, Mauricio has to return to his native Argentina for labor issues. He takes the opportunity to find his half sister Leonora, both are children of Martina, disappeared during the 1976 Argentine Military Dictatorship.