Ruiz
The first revival of David Bösch’s new production for The Royal Opera, with two casts including Maria Agresta, Lianna Haroutounian and Anita Rachvelishvili.
Abdallo
Nabucco, King of Babylon, takes Jerusalem in his war with the Israelites – but his daughter Fenena loves the Israelite Ismaele. She releases their prisoners, leading her vengeful half-sister Abigaille to plot to take power. Nabucco declares himself a god and is struck by a bolt of lightning. Abigaille tricks the now feeble king into signing a death warrant for the Israelites, including Fenena and Ismaele. Nabucco prays to the God of Israel for forgiveness; his sanity is restored and he saves the prisoners from death. He converts himself and his people, while Abigaille commits suicide.
Gastone de Letorières
Royal Opera House, Covent Garden, London Live showing of Verdi's Traviata with subsequent re-screenings Violetta, a Parisian courtesan suffering from tuberculosis, is throwing a party to celebrate her recovery. A young nobleman, Alfredo, plans to attend, and has long been in love with Violetta. Before long, Violetta has fallen for him as well, but Alfredo's father disapproves of their relationship. He convinces Violetta to leave Alfredo for the sake of his family's image, not realising how ill she really is. Richard Eyre's production of 'La Traviata' immerses the audience in the indulgence of 19th Century Paris, a vivid setting for Verdi's famous score.
En su nueva vida como barítono, Plácido Domingo ha triunfado en el papel de Francesco Foscari en Los Ángeles, Londres y Viena. Ahora lleva el papel a La Scala de Milán, el teatro que es el símbolo de la ópera italiana. I due Foscari, estrenada en 1844, famosa por ser una de las óperas más oscuras de Verdi, es puesta en escena por Alvis Hermanis, que tuvo tanto impacto en el Festival de Salzburgo con 'Die Soldaten' e 'Il trovatore'. A Domingo se unen dos de los cantantes más emocionantes de Italia, la soprano Anna Pirozzi y el tenor Francesco Meli, y el aclamado director italiano Michele Mariotti. El Financial Times quedó profundamente conmovido por la actuación de Domingo y calificó de sublime su interpretación del papel.
