Thanks
Habiendo completado recientemente su ciclo monumental de películas, "The Book of All the Dead", Elder comienza un nuevo ciclo -"The Book Of Praise"- con "A Man Whose Life Was Full of Woe Has Been Surprised by Joy". Elder cree que, usando la velocidad y creando construcciones que incorporan una serie de atracciones que se enfrentan entre sí por atención, un cineasta puede producir una forma de experiencia que pasa por alto el intelecto y va directamente al cuerpo y los sentidos. En consecuencia, crea películas densas y elaboradas que hacen uso de complejas construcciones de montaje, collages complejos (combinando múltiples imágenes simultáneas) y construcción de sonido estratificado. En su nueva película, Elder describe formas de vida que han crecido cada vez más fuera de contacto con el cuerpo y trata de obtener y experimentar el deleite que resulta de volver a conectar con nuestro ser natural.
Bruce Elder's Consolations picks up where Lamentations left off in the purgatory of modern existence, and aspires to regain, and reaffirm, a sense of meaning, goodness, beauty and mystery in the empty simulacra of the dead world. A philosophical meditation on everything from language to consciousness and aesthetics to morality, Consolations is a gargantuan achievement and a key part in Elder's The Book of All the Dead cycle, inspired by Alighieri's Commedia and Pound's Cantos.
"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa
"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa
Franz Liszt
Lamentations: A Monument to the Dead World belongs to a 35-hour film cycle, The Book of All the Dead, which comprises the bulk of Toronto-based Bruce Elder’s filmmaking from 1975 to 1994. In ancient Egyptian culture, the Book of the Dead consisted of religious texts intended to help preserve the spirit of the departed in the afterlife — but in Elder’s reading, that comforting idea of continuity takes on a rather darker cast. Lamentations is comprised of a complex audio and visual patchwork: a philosophical meditation superimposed as text throughout the film; vignettes featuring a comical but disturbing Franz Liszt, a debate between Isaac Newton and George Berkeley, an angry, deranged man in an alley, and an arrogant psychiatrist; and a final search for salvation in the forests of British Columbia, the American Southwest, and Mexico’s Yucatan.
Man in workshop with goggles
"Breathtaking in its techniques, rhapsodic in its passion, and encyclopedic in its scope, the film traces the long fall from paradise into modern barbarism." - Art Gallery of Ontario
Still Photographer
A compelling and revealing exploration of one person's psyche in crisis.... The film is a screen diary of a man in his early 30s afflicted with a life-threatening disease, a man confronting his own mortality.
Director of Photography
A compelling and revealing exploration of one person's psyche in crisis.... The film is a screen diary of a man in his early 30s afflicted with a life-threatening disease, a man confronting his own mortality.
