Isabel Orellana Guarello

Películas

Otro Sol
Executive Producer
Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.
Petit-Frère
Producer
Petit-Frère es un diálogo entre lo colectivo y lo personal, una memoria viva que mezcla ensoñaciones y la realidad de la comunidad haitiana residente en Chile. Este diálogo es guiado por la voz de Wilner Petit-Frère, un inmigrante haitiano que observa y plasma en un boletín impreso la sociedad donde le tocó vivir en este período de su vida."
Nunca vas a estar solo
Executive Producer
Tras un violento ataque a su hijo adolescente gay, Juan, un retraído administrador en una fábrica de maniquíes, lucha entre pagar los exorbitantes costos médicos de su hijo y un último intento por convertirse en socio de su jefe. Callejones sin salida y traiciones inesperadas lo harán descubrir que el mundo que él creía conocer estaba listo para ser violento también con él. Juan ya ha cometido muchos errores, pero su hijo aún puede salvarse.
Muerte Blanca
Producer
Impressionist portrait of a landscape forged by tragedy. A ghostly wanderer among the vestiges of a story where 44 young soldiers and a sergeant were pushed to their deaths
Memorias del viento
Screenplay
Rafael Egaña (38) will soon be blind. With us, he makes the journey of the images that his father, an amateur photographer, has collected for more than 50 years. These images are memories, but what happens to them when vision is lost, do they disintegrate along with the visible world or do they become clearer because new ones can no longer be generated?
Memorias del viento
Editor
Rafael Egaña (38) will soon be blind. With us, he makes the journey of the images that his father, an amateur photographer, has collected for more than 50 years. These images are memories, but what happens to them when vision is lost, do they disintegrate along with the visible world or do they become clearer because new ones can no longer be generated?
Final del verano
Director
Julia and Sofia are two sisters who, due to their father's illness, are forced by their mother to go to the country, with their aunt Cristina and two children they do not know. Both girls feel alien to this grandiloquent place as well as to these relatives with whom they seem to have nothing in common. The stillness of the countryside, the dead times of summer and a house that seems frozen in time are opposed to the imminent collapse of the girls, who intuit that those days are only an illusion.