Ernest Berk

1999. Mientras conduce, una mujer (Dommartin) choca con el coche de unos delincuentes que acaban de atracar un banco y que la obligan a colaborar con ellos en el traslado del dinero a un lugar de París. En el trayecto, conoce a Sam (Hurt), un fugitivo perseguido por la CIA, que le explica que los delitos que le imputan son falsos y que lo que, en realidad, quieren es arrebatarle un invento de su padre que permite revisar los sueños.

Focuses on the dancer, choreographer, and composer Ernest Berk (1909-1993), who at the time the film was made was 81 years old. Using choreography and dance, but also forms of linguistic expression, the aging body and its sexuality is explored, especially the apparent discrepancy between a youthful spirit and bodily decay.

Focuses on the dancer, choreographer, and composer Ernest Berk (1909-1993), who at the time the film was made was 81 years old. Using choreography and dance, but also forms of linguistic expression, the aging body and its sexuality is explored, especially the apparent discrepancy between a youthful spirit and bodily decay.

Focuses on the dancer, choreographer, and composer Ernest Berk (1909-1993), who at the time the film was made was 81 years old. Using choreography and dance, but also forms of linguistic expression, the aging body and its sexuality is explored, especially the apparent discrepancy between a youthful spirit and bodily decay.

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.

1940s British realist film about the life and struggles of a family in a Welsh mining town.