Betina Kuntzsch

Películas

Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal
Director
For technical reasons – too massive! – this 50-ton bronze colossus was not demolished in 1993. Today it is listed as a historical monument, along with the associated housing estate. A relic from the old days: Today, the raised fist of the former German Communist Party leader and erstwhile GDR hero Ernst Thälmann in the Prenzlauer Berg park defies the collective forgetting of a not-so-long-ago past instead of heralding the victory of communism.
Snow Dust
Director
Nieve, polvo de película y partículas. Una vieja película de una linterna mágica en mal estado. Las secuencias animadas que datan de la década de 1900 se alternan con la animación por computadora.
Halmaspiel
Writer
A collage of associations evoked by finds. One’s family, three different Germanys including their insidious subchapters, the taste of life. The mother used to be a passionate Chinese checkers player. On the one hand. On the other she was a tailor and fashion designer in the GDR. Her journeyman’s piece: a showpiece with piping, cording, tabs and embroidery around the neckline. One has to love this film, if only for the tender re-animation of these words we presumed obsolete. And for everything else!
Halmaspiel
Director
A collage of associations evoked by finds. One’s family, three different Germanys including their insidious subchapters, the taste of life. The mother used to be a passionate Chinese checkers player. On the one hand. On the other she was a tailor and fashion designer in the GDR. Her journeyman’s piece: a showpiece with piping, cording, tabs and embroidery around the neckline. One has to love this film, if only for the tender re-animation of these words we presumed obsolete. And for everything else!
A One Minute History Of Image Distortions
Director
We see the machinery of image projection fail all the time. What happens when art steps in and takes over the process?
El arca rusa
Editor
El Marqués de Coustine, un diplomático francés del siglo XVIII con una relación de amor/odio hacia Rusia se encuentra en un viaje en el tiempo en el Palacio de Invierno de San Petersburgo -desde los tiempos de Pedro el Grande hasta nuestros días. Con él, un invisible realizador ruso (en off), que está confuso sobre la posición de Rusia en Europa.