Marcos Levy

Dear Mom centers on the conflictive relationship between Heloisa, a recently divorced doctor, and her mother Ruth. Heloisa blames Ruth for her bad relationship with her own daughter, her failed marriage, and even her unsuccessful career. It’s a conflict that worsens when Ruth, after being diagnosed with cancer, finds out that Heloisa has fallen in love with Leda, a painter she met at the hospital where she works. The new relationship is not well accepted by her family, let alone by Ruth, which worsens the friction between them.

Silmara, an industrial worker and a woman of exuberant beauty, supports her arsonist father and gets involved with two different pop stars, from whom she learns traumatic life lessons.

Short film based on letters sent from The Brazilian Film Director Glauber Rocha to his former Assistant and friend, Jirges Ristum, father of the director André Ristum. The film is about a friendship and a work relation, and was directed by the son of Jirges and edited by the son of Glauber, Eryk Rocha.

A documentary look at the confluence of the Red scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.