Miodrag Milošević

A futuristic fairy tale about balance in nature. The girl has a hobby of collecting insects. One night a romantic visitor shows up. By engaging in a harmless romance, in which a twist occurs, the girl experiences a fatal fate.

Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.

One Woman, One Century is a documentary film based on statements, interviews, and reconstructions of real-life events. The life story of Dragica Srzentić casts light on a number of events and people relevant to Yugoslav history before and after the Second World War. The film’s look at the century-long life of this woman-hero provides insight into the rarely mentioned segments of the ex-Yugoslav intellectual and ideological maze that traverses all the states in which this Istrian-born woman lived (Austria-Hungary, Kingdom of Italy, Kingdom of Serbs, Croats and Slovenes, NDH, FNRJ, SFRJ, Croatia, and Serbia).

A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.

Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?

The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.

After decades of work in Italy and Germany, Giuseppe is retired and returns to his family home in Istria. He is lonely and his mother advises him to get married. She hands him over his father’s uniform from the Austro-Hungarian army. Giuseppe sets off on a quest to find a wife in the “transitional East” hoping to be warmly welcomed. The road takes him to Budapest, Montenegro, Vojvodina. His plan is not so easily realised...

A transvestite couple from 1990s Belgrade beholds their profession as a pacifistic mission, curbing the urges of rapists, gamblers and horny young men during turbulent periods in war-torn country.

Tito, lifelong president of Yugoslavia, is coming from his grave to once again talk to Serbs and to check what has changed since he was gone.

A Red Army major caught between East and West Berlin finds his wife gone and somebody else moved into his apartment.

Naturalistic and almost documentary account of the heroin addicts in Belgrade, in the form of a sad life story of young girl and her wasted life.

Experimental short touching the subject of class, representation and sexuality.

Milošević’s Last Tango in Paris, Levi presents a series of images that attempts to reconstruct Last Tango in Paris using both Bertolucci’s original and Milošević’s grainy alterations.

Funny story of an unemployed metalworker, self-proclaimed Marxist, his views and whereabouts.

Funny story of an unemployed metalworker, self-proclaimed Marxist, his views and whereabouts.

A documentary "Small and big", written and directed by Želimir Gvardiol made in a road-movie form, shows an important documentary subject - the consequences of the Nato bombing in Serbia. Stories of several people throughout the movie bring this movie a different level of authenticity and it's dynamic rhythm.