Writer
The political crisis in 1965 is a trauma, terror, and violence inflicting tragedy. Most victims were murdered without trial. Rivers are stages of the massacre, which holds the tragedy.
Director
The political crisis in 1965 is a trauma, terror, and violence inflicting tragedy. Most victims were murdered without trial. Rivers are stages of the massacre, which holds the tragedy.
Editor
The political crisis in 1965 is a trauma, terror, and violence inflicting tragedy. Most victims were murdered without trial. Rivers are stages of the massacre, which holds the tragedy.
Story
The political crisis in 1965 is a trauma, terror, and violence inflicting tragedy. Most victims were murdered without trial. Rivers are stages of the massacre, which holds the tragedy.
Director
A film about the life of Transgenders living in Aceh Indonesia, near the northern end of Sumatra. There are 10 indigenous ethnic groups in this region, the largest being the Acehnese people. Aceh is thought to have been the place where the spread of Islam in Indonesia began. The Transgenders have their own personal hopes and dreams for a fulfilled and satisfying life. However, people in Aceh often label LGBT as criminals, mentally ill and prostitutes.
Director
Renita lives in a tiny space that doubles as her hairdressing salon, a place where her many transgender friends come to relax and discuss politics, the latest fashions, and being transgender in Jakarta. But Renita, or Reni, used to be Mohammad Zein, back when she lived with her parents in Palu. Twenty years earlier, her father had given her an ultimatum – if you're not a man you're not my son – and Reni has not seen her family or birthplace since. Now she wants to return. The film's director and Reni engage in occasional conversation as they create an intimate peek into the complicated life of a transgender person.
Production Design
A small island is inhabited by members of the Bajo tribe, a nomadic fishing community of the Wakatobi Islands. After her father is lost at sea, twelve-year-old Pakis keeps treasuring the mirror he gave her, hoping that (according to Bajo belief) he will return and appear reflected in it. Then a young man comes into her life, threatening conflict between Pakis and her mother.
Director
Renita, a trans-prostitute, who speaks her truth. She would prefer not to be trans...
Director
Este filme es una producción de Christine Hakim a manera de largo metraje tipo documental, presenta una semblanza post-tsunami a través de tres historias. Reza, de 24 años de edad, es un fiel seguidor del Che Guevara e hijo de un ulema; él recita el Corán y toca su guitarra eléctrica. Tari, de 12 años, fue arrasada por una ola gigante por kilómetros y perdió a su madre y a sus hermanos menores. ¿QUÉ MENSAJE? ¿POR QUÉ? Y también está Usman, de 45 años, quien es de Meulaboh y maneja una motoneta con side-car. Perdió a su esposa y a su familia entera y tercamente insiste en comer sobre las ruinas de lo que alguna vez fuera su casa. Tres vidas, una semblanza de la tragedia que aún sobrevive en miras al futuro.
Art Direction
The poet Ibrahim Kadir plays himself in a political drama about his arrest and incarceration in Aceh in the 1960s. Kadir survived the mass murder of suspected communists by the Indonesian government that cost between 500,000 and two million lives.
Art Direction
The Indonesian society is seen through a middle-aged lady's eyes in her daily encounters with the street children who work and live off the harsh and sleazy world of adults.
