Ivan Andreev

Vasil acaba de perder a su pareja de toda la vida, su esposa Valentina. Cuando una mujer en su funeral proclama que la mujer muerta llamó a su celular, Vasil busca la ayuda de un conocido psíquico para contactar a su esposa. Su hijo Pavel trata de hacer que entre en razón, pero Vasil insiste obstinadamente en hacer las cosas a su manera. "El Padre" es un drama familiar íntimo sobre las dificultades de conectar con aquellos que nos rodean. A medida que la imagen va cobrando impulso, su historia se desarrolla en muchas situaciones absurdas o cómicas cuidadosamente organizadas.

Nina, a 13-year-old pickpocket with a sharp and wise look, is checking the content of a man's wallet she has just stolen. She is staring at the unknown family pictures with curiosity and sadness - A little later, Nina is captured in her next attempt to steal. Surprisingly, the victim Yana refuses to surrender Nina to the police and decides to pay a little attention to the girl, taking her lunch.

Single mother Dafina becomes involved in an illegal surrogate baby delivery scheme. When a screening reveals that the babies are at risk of genetic disorder, the childless couple cancels the deal. Under pressure from the gynecologist to have an abortion, Dafina struggles to make the right choice.

In a society that pays for everything with kicks and slaps, an everyday man struggles to get by.

"Snow" is a film for the choice, betrayal and forgiveness between brothers and sons, narrated on the background of the harsh reality in an abandoned place.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

Madame Ranevskaya (Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin (Teale), her former serf, who has his own agenda.

A pair of rebellious high school students get thrown out of home and school, then drift from job to job. Bulgaria's submission for the Academy Award for Best Foreign Language Film in 1990

Gallows is being raised in a prison yard. A moment before the execution the Girl brings a document of the young communist's temporary pardon. The chief of the prison, the Major, has a mandolin collection. He offers a fistfight to the young communist. The young man hits him. The Major and the young communist start playing the mandolins together. Girl is allowed to meet the young communist. The boy begins to play. The melody brings to the Major pleasant memories. He fought in the Spanish civil war, but after the defeat, he turned back on his beliefs. The Major receives a telegram that he needs to send the young communist to another prison. Death awaits him there. In is rage the Major breaks the mandolins. He orders the young communist to be taken out to work. The young man runs off. The Major shoots him himself.

Set in a village in Anatolia at the foothills of the mountains, portraying the story of the resistance of a young man, Ali, against the domination of landlords and local gangs, striving to win back his wife’s love and affection.

An homage to the city of Plovdiv, the film follows a solitary man who wanders around the empty streets of the city in an attempt to return to his home. Meanwhile, various figures roam the fragmented spaces of the house from his memories, expecting his homecoming.