Luca Vulterini

Películas

Dark Glasses
Post-Production Manager
Diana, una prostituta de lujo que intenta escapar de un asesino en serie, sufre un accidente de coche que la deja ciega y mata a la familia de Chin, un niño de diez años.
Marx Can Wait
Thanks
Camillo tenía 29 años cuando falleció en 1968. Casi 50 años después de la muerte de su hermano gemelo, el director de la película reúne a su familia para reconstruir su desaparición. Combinando conversaciones íntimas con los Bellocchio y con quienes mejor conocían a Camillo, junto con material de archivo, películas familiares y su propia obra, el cineasta intenta poner de manifiesto a un fantasma con el que ha lidiado toda su vida. Lo que comienza como una conversación familiar se transforma en una indagación sobre el dolor, la culpa y la responsabilidad, la compasión, la empatía y el amor.
Fuori
Digital Intermediate Producer
The Mystery of Dante
Digital Effects Producer
A journey in the footsteps of the most famous initiate of Italian Trecento, the author of the celebrated "Divine Comedy". A poet who has inspired some of the most outstanding minds in History.
Ballkan Bazar
Digital Intermediate
The film describes how Albanian graves were opened by Greeks and the contents moved and re-identified as being the bones of Greek soldiers from World War II.
Rasputin
Digital Intermediate Producer
Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.
Napoli, Napoli, Napoli
Digital Intermediate Producer
Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.