Imre Sörés

Películas

Spiral Staircase
Production Design
The film is an interpretation of everyday life and privacy as well as the first love-triangle story after 1945. Benkő Lajos, the country librarian, is stationed in the capital. In lack of a suitable apartment, his wife and children have to stay in the country.
A Glass of Beer
Production Design
Marci is drafted from a typical block building in the 6th district in Pest. He says good-bye to Juli living in the same house, with whom they are both very much fond of each other, but neither of them makes a confession. Juli works in a factory, and with her friend Gizus she goes out in the evening for dancing and drinking. After a year, Marci comes back for holiday, he is full of love.
Rákóczi's Lieutenant
Production Design
The Birth of Menyhért Simon
Production Design
Venice Film Festival 1954
Tüzkeresztség
Production Design
A képzett beteg
Production Design
Underground Colony
Production Design
It deals with the alleged Western sabotage of Hungarian oil production.
Tüz
Production Design
1h 35min | 21 October 1948 (Hungary)
This Happened in Budapest
Production Design
Pataky Elemér arrives in the capital as a victim in his niece's divorce case. Having to meet the lawyer dr. Orbói István is, however, an alibi in an effort to get away from his quarrelsome wife, and to have some fun at the same time. He takes the lawyer with him.
People of the Mountains
Production Design
A simple, religious Hungarian woodcutter lives with his wife and boy child with a small community of squatters among the peaceful mountains of Transylvania until a lumber company claims their land and forces them all to become company workers or else leave the land. This 1942 Hungarian film takes a detailed and unflinching look at the hardships of mountain living, and the realistic approach proved influential to the Neorealist movement in Italian cinema. Hungarian master director Istvan Szots won the Biennale Cup at the Venice Film Festival for his auspicious debut, but the film was banned by the Nazis as "too Catholic" and not publicly exhibited until after World War II.