Co-Producer
Amel is released from prison after an adulterous affair. In the violent streets of Tunis, Amel seeks her missing son Moumen, a young football player destroyed by the scandal. During her journey, Amel has to face Tunisian society in ruins.
Producer
Marked each year by celebrations, Israel’s Independence Day coincides with the commemoration of Al-Nakba (the Catastrophe) — the day Palestinians memorialize their dispossession and displacement. For Tamer (Mahmoud Bakri, a member of the acting dynasty begun by veteran Palestinian performer Mohammad Bakri) and his high-school friends — Safwat (Mohammed Abd El Rahman), Shekel (Mohammad Karaki), and Rida (Ahmed Zaghmouri) — the social and psychological dissonance of being Palestinian in Israel is a daily struggle that is only heightened in the lead-up to Nakba Day.
Producer
A dodo, a bird that disappeared 3000 years ago, makes its appearance in Athens in the luxurious residence of a family on the verge of ruin for which the countdown has begun: the 38 crucial and saving hours that separate them from the marriage of their daughter with a rich heir. The boundaries between reason and madness will be tested and the situation will soon be out of control.
Producer
La tierra natal de Eami es invadida por los colonos. Encarnando a Asojá, la mujer – dios de los pájaros, la niña cae en un trance en el que camina lentamente y aturdida por su amado bosque mientras se prepara para abandonarlo para siempre.
Producer
Accompanying activist Nardjes with his camera, Karim Aïnouz documents the youth culture, which is confidently taking to the streets for a democratic future in Algeria, whose independence their parents and grandparents have already fought.
Co-Producer
Lebanon, July 2006. War is raging between Hezbollah and Israel. During a 24h ceasefire, Marwan heads out in search of his father who refused to leave his Southern village. As the ceasefire is quickly broken, Marwan finds himself under the rain of bombs and takes shelter in a house with a group of elders. Suddenly, a group of Israeli soldiers enter the first floor. Trapped in the house and hostages of their own fears, the next three days will see the situation spiral out of control.
Co-Producer
Ghosts recorre las calles de Estambul en las horas previas a un apagón de la mano de tres mujeres: una joven aficionada al baile, una activista feminista y una mujer cuyo hijo está en la cárcel. En una ciudad en vías de gentrificación que apenas les deja sitio, el pulso y la urgencia del día termina por hacer confluir esas vidas cruzadas en una dudosa operación de tráfico de drogas. Las idas y venidas temporales, un ritmo incesante y el carisma de sus personajes completan el mosaico que compone este filme.
Producer
Amadi, un músico de Lagos (Nigeria), llega a São Paulo (Brasil) con una misión: localizar a su hermano, Ikenna, quien recientemente ha roto lazos con su familia, y traerlo de vuelta a Nigeria. Amadi, que siempre fue más relajado y despreocupado, en contraste con la personalidad más calculadora de Ikenna, tiene que estar a la altura de las circunstancias para no defraudar a sus padres. También debe hacerlo por razones egoístas: le preocupa que, si no encuentra a Ikenna, recaiga sobre él las responsabilidades del hermano mayor, la responsabilidad de mantener a su familia. Asimismo en Brasil, Amadi sigue los débiles pasos que dejó Ikenna en este paisaje urbano extranjero: se entera de que su hermano no es el distinguido profesor de Matemáticas que aparentaba ser, sino que ha ideado una serie de intrincados esquemas para amasar riqueza en Brasil.
Co-Producer
Inspired on the true events of the Portuguese king Don Pedro (14th Century) which unburied his mistress to make her queen after dead. This film tells the story of Pedro, a man admitted to a psychiatric hospital for traveling by car with the corpse of his beloved, recalling simultaneously three different lives: one from the past, another from nowadays and another one from an distopic future.
Co-Producer
En Nairobi, las estudiantes Kena y Ziki llevan vidas muy diferentes, pero las dos hacen lo posible por alcanzar sus sueños. Sus caminos se cruzan en medio de una campaña electoral que enfrenta a sus respectivos padres. Las chicas se gustan, pero la sociedad keniana es muy conservadora, y tendrán que elegir entre el amor y la seguridad.
Co-Producer
In the summer of 2021, a research group scouting for viable sites for development arrives at Armenaki Island, where people live with their own laws and their own moral values, having found happiness in a completely different way of life.
Co-Producer
Greece. A seaside resort struck by a heavy heat wave. Water is scarce and violence is ready to explode. Ashraf, a solitary immigrant, is looking after a villa while its owners are away. On a dusty road crushed by the sun, he is stopped by a police officer for an identity check...
Producer
A documentary about the making of The Turin Horse, the last film directed by Hungarian master Béla Tarr.
Associate Producer
Sotiris is a police investigator in Athens who lives by a strict moral code. An honest man, he carries himself as though held down by the weight of the world. Dora is a cleaning lady, struggling to get by any way she can. Dealt a rough hand in life, she has developed a rich layer of cynicism and mistrust that informs her every action. When a man Sotiris believes is innocent is arrested for a brutal crime, his attempt to uncover the truth results in a grave mistake. Finding himself on the other side of the law for the first time, he places his fate in Dora, the only witness to his malfeasance and the only person who can help him, for better or for worse.
Producer
Libremente inspirada en un episodio que marca el fin de la carrera del filósofo Friedrich Nietzsche. El 3 de enero de 1889, en la plaza Alberto de Turín, Nietzsche se lanzó llorando al cuello de un caballo agotado y maltratado por su cochero y, después, se desmayó. Desde entonces, dejó de escribir y se hundió en la locura y el mutismo. En una atmósfera preapocalíptica, se nos muestra la vida del cochero, su hija y del viejo caballo.
