Cinematography
In Blue Orchids, Johan Grimonprez creates a double portrait of two experts situated on opposite ends of the same issue—the global arms trade. The stories of Chris Hedges, a former New York Times war correspondent, and Riccardo Privitera, arms and equipment dealer for the now-defunct Talisman Europe Ltd, provide an unusual and disturbing context for shocking revelations about the industry of war. While interviewing Privitera and Hedges for Grimonprez’s recently released feature Shadow World (2016), it became clear that the two men were describing the same anguish and trauma, but from paradoxical perspectives. One has dedicated his life to unmasking lies, while the other has built his life on them. Both their personal and political histories gradually reveal the depths of suffering and duplicity, showing that the arms trade is a symptom of a profound illness: greed.
Director of Photography
Una investigación detallada sobre los intereses políticos y económicos que, desde principios del siglo XX, han manejado en la sombra y a su antojo los hilos del comercio de armas, alimentado la vergonzosa corrupción de políticos y funcionarios gubernamentales y promovido un estado de guerra permanente a lo largo de todo el mundo, al tiempo que cínicamente predicaban a favor de una paz durarera y universal.
Director
The film is homage to the powerful spirit of the 12th-century West African warrior princess, whose presence is still felt by women living there today. Seeking to undo African stereotypes by looking at the professional lives of women in Burkina Faso, the film talks to a firefighter, a swimmer, a mushroom biologist, a mechanic, an astrophysicist, a rapper, and more – allowing women (all inspired by the legendary Princess Yennenga) to give voice to their own unique experience.
