Ali Aga

Una familia emigra a la ciudad después de una pérdida trágica. Cuando se reúne en su pueblo natal 30 años después, resurgen emociones enterradas y dolorosos secretos.

Can witnesses a murder in a small town. The police don't allow him to leave after his testimony. On the other hand, a quarantine is declared due to rabid dogs. The whole town turns into purgatory with no exit is almost at the edge of insanity.

After completing his specialty in Canada, Mazhar returned to Istanbul. As he mourns his mother, he falls in love with Ece, who is also the lover of Erman, Mazhar’s best friend. Mazhar and Ece will live a passionate and devastating love in the midst of the vicissitudes of the city.

Vural, a husband and a father who was raised in faith, leads a seemingly pious and conformist life. But everything takes a sudden dark turn when he finds out a truth about his personal life.

Doctor Kemal is head of a private hospital, is ambitious and has the best intentions for the residents of Istanbul. He is the best candidate for mayor of the Beyoglu district – in his opinion. An opinion not shared by his sceptical ex-wife; nor by the voters who come to eat and drink at his expense; nor the party leader, who even after several meetings still thinks he's an architect rather than a doctor; not even his faithful chauffeur. The slogan 'the doctor has the cure' might be catchy, but the doctor has little clue how sick the climate of political nepotism really is.

A murder investigation is flipped inside out in Burak Çevik's second feature, a spellbinding and surprising work that questions whether we can ever truly understand criminal motives. We begin in the present as an unseen narrator recounts the assassination of his lover's disapproving mother, accompanied by hauntingly vacant images of urban alienation and garish city lights; we then flash back to witness the first encounter between the lovers-turned-accomplices, their mutual attraction and world-weariness emerging across a sleepless night and morning after. Çevik imbues the proceedings with a stylistic confidence and willingness to bend the conventions of cinematic form to arrive at a complex, gripping double meditation on love and death.

With hours to go for the main news bulletin, Zuhal is preparing for the broadcast and Defne is running around after her. Vedat complaining about having to eat salad for lunch. Harun is nowhere to be seen, as always. All is going usual at TRN, except Caglar talking about a news item that will make the water in the "aquarium" overflow.

In Istanbul’s Sulukule district, two young women use dance to express their freedom.

Gaza is a 14-year-old boy who lives on the Aegean coast of Turkey. Together with his domineering father, he helps smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation and human suffering. Can you avoid becoming a monster when you've been raised by one? Onur Saylak's debut feature, adapted from the award-winning novel of the same title by Hakan Günday, one of the first novels to document the refugee crisis in Europe, "More" is the gripping story of a boy that gets to grow up in a world where there's no room for innocence.

Mehmet is a man living with his family in a mountain village in the Black Sea region. He earns his living by breeding a few animals, while passionately looking for a mineral reserve on the mountains, but his pursuit is seen useless by his family. Devastated by vain efforts, his hope is renewed with a competition. Mehmet will attend the bull fight held in Artvin, but he returns from Artvin completely lost, once again. This simple story pictures the naive portrait of a touching life, a life struggle in hardship and the relationship between nature, animals and human beings.

“Let’s see if you gained any weight. 26,3 kilogram. Ahmet, you need to eat more. Double meals.” Like other boys their age, Baran, Ahmet and their classmates wrestle with the desire for recognition, with homesickness and with their target weights. Most of all though, they wrestle with, and against, one another. They are comrades and competitors, united by one and the same dream: Olympic gold! In their wrestling academy in the Turkish province of Amasya, which is well known for this traditional form of combat sport, they undergo strength and endurance training, they learn lifts and throws, they urge each other on and they console one another. Always responding to the boys’ needs, the trainers give the boys tough love, sometimes fatherly, sometimes strict and disciplinary. The film’s intimate documental camera bears close witness to the fine line between friendship and competition, victory and the lesson of how to lose.

Nesrin and Hatun are two Kurdish cleaning women living in Istanbul. While Nesrin tries to survive with her little daughter, trying to understand why her husband left her, Hatun dreams of buying a house in the district where they clean.

Saroyanland is a docu-drama focusing on the journey of famous writer William Saroyan to the birthplace of his Armenian family Bitlis, in Turkey in 1964. While retaking the same road, the film aims to understand Saroyan's unique attitude to belonging, witnessing the self-discovery of a man who followed the traces of his Armenian ancestors.

Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.

This is the auto fiction of M., a film-freak. On account of two consecutive retinal detachments, he almost goes totally blind. During 40 bed-ridden days, he'll be obliged to lie prone with both eyes closed.

The last 12 minutes of a young woman in a house on the edge of the city. The radical decision of a woman whose life was made a prison by tradition, violence and poverty...

The last 12 minutes of a young woman in a house on the edge of the city. The radical decision of a woman whose life was made a prison by tradition, violence and poverty...

Planning to take any job she can get in order to save enough money and leave Turkey for the U.S., Mina is hired at an Istanbul café as a fortune teller who reads the dregs in coffee cups. She discovers she has the ability to offer comfort and insight to the customers who are just as lost in the wilderness as she is.