Fuminori Minami

Películas

Riot in Gujo
Director of Photography
Naoto Ogata plays Sadajiro, a young farmer fighting out the battle of the riot through to the end. Sadajiro's wife is played by Hiromi Iwasaki, his father is played by Go Kato and Ryuzo Hayashi plays a leader of the Riot. The Riot in Gujo is called one of the biggest three riots in the Edo Period as it took almost 5 years to settle and also involved the Edo government. This movie is a period film about the riot and Gujo farmers fighting for their tenacity of purpose. The farmers had suffered enough from heavy taxes and decided to rise up in riot when the domain lord, Yorikane, issued a new act, which practically forced tax increases. Asking the lord to retract the act, they pour down to the Hachiman Castle. For once they attain the repeal deed signed by the chief retainer. However the promise is broken. Now the farmers decide to make a direct plea to the Edo Residence…This film is full tension and breathless moments.
Summer of the Moonlight Sonata
Director of Photography
Two soon-to-be kamikaze pilots stop by a local school near their base to play the piano one last time, leaving a deep impression on a teacher. Years later, she seeks out the relatives of the pilots when the piano is old and about to be discarded.
Thousand Cranes
Director of Photography
April 1954. 12 year old schoolgirl Sadako thinks her main problem is being unable to pass the baton in relay races. But just as her team starts winning, she starts getting tired more easily. She is sent back to the American Base Victory Hospital, where the diagnosis is lymphatic leukemia. And she has no more than a year left to live. Her parents agree with the doctor that Sadako should not be told, but will she find out anyway ?
Kamigami no rirekisho
Director of Photography
Documentary on Japan-Korea relations
The Seburi Story
Director of Photography
The culturally isolated, nomadic Seburi people of western Japan are the subject of this tragedy about a few of the community's members who especially experience difficulties as modern Japan encroaches on their world. The setting is World War II, and conflicts have already arisen when the military police come to take Seburi men away into the army. Still following their own customs that can be harsh at times, and are particularly cruel to women (women must give birth alone and unaided, a woman's adultery is punished by burying her up to her neck in the earth and then leaving her for days), the Seburi are mainly treated with fear and animosity by the non-Seburi townspeople of the region. Along with the hardships arising from cultural clashes, nature's own vagaries present other challenges to the Seburi -- who still lived in tents until the 1950s. Winter avalanches and snowstorms cause as much havoc as the tensions engendered by the slow encroachment of the modern world.
Hometown
Cinematography
Deep in the mountains of Japan a dam is scheduled to be built, thus forcing a relocation of the farmers. One of them is 78-year-old Denzo, whose son and his wife consider him senile. Left alone, he befriends a young boy, Sentaro, who has heard that the old man was once a great angler. The unlikely pair spend lots of happy time together, until Denzo has a heart attack and dies far upstream. The dam is completed and the entire area is inundated. Everyone will move away, except Denzo.
The Lost Generation
Director of Photography
Documentary about the victims and effects in the Hiroshima bombing. Part of the "Ten-Feet Movement"
Nurse's Husband
Director of Photography
“Quit working as a nurse!” “All right, I will!” thus began the married life of Yasuo and Keiko. But the reality is harsh. Keiko even had to work on the first night after her marriage. Ten years later, the married couple is still at it. Yauso tends to the house and their children, while Keiko sacrifices family life for life as an overworked nurse. One day, after Keiko comes home utterly exhausted and dejected from her work, Yasuo makes up his mind and writes a letter of resignation in her place. Upon learning of this, Keiko angrily declares that nursing is what she lives for and she will keep on working. Realising that that is one battle he will never win, Yasuo sends a letter to a newspaper -- “Nurses’ husbands, aren’t you having a hard time? Get together nurses’ husbands. Contact me.” There is a tremendous response. This leads to the formation of many unions of nurses’ husbands throughout the country.
Tomorrow Evening
Director of Photography
Ayako is a 7-year-old girl with a dark, tanned face and a somewhat mysterious expression on her face. She shows up at the elementary school and acts strangely, but the children don't know her name and just call her "that girl". There are two groups of children at the elementary school, and the conflict between the groups intensifies...