Hasrat Djoeir

Películas

The Dark Castle
Producer
A newlywed couple who go on their honeymoon in St Jean Le Vieux, France are kidnapped by a local mysterious cult.
Sehidup (Tak) Semati
Producer
When Helena and Titan celebrate their first wedding anniversary at a restaurant, Helena dies from an asthma attack. Since then, Helena’s spirit is revealed to her husband. People think that Titan suffers from depression as he often communicates with the spirit of his late wife. Titan is advised to see a psychiatrist, who sends Olin, a student of psychology, to conduct an observation. Titan also seeks help from a paranormal, Ki Jono Bolot. Then, when Titan meets Irene, Helena’s spirit gives her consent to his new romance.
Tabir Biru
Director
Rhoma (Rhoma Irama), succeeds in rescuing a young woman, Maya (Ria Irawan), who was forced into making pornographic movies by a gang led by Santos (Leroy Osmani). This causes tension between Rhoma and his wife, Aida (Ida Iasha), who misunderstands the situation. In the meantime, Rhoma is abducted by the Santos gang to exploit as a partner for Maya in a pornographic film. Everything turns out all right for Rhoma, Aida and Maya.
Nada dan Dakwah
Producer
The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.