Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.
Siguiendo inmediatamente los sucesos de la primera parte, el comisionado de policía Sean Lau recibe una llamada informándole del secuestro de su mujer, chantajeándole con que deje suelto a Joe Lee a cambio de la vida de su esposa.
Tres policías son los mejores amigos: Tim, ambicioso inspector jefe de la sección de narcóticos; Chao, agente encubierto y Wai, fiel subordinado de Tim. Una nueva misión, atrapar al "señor de la droga" Eight-Faced Buddha, pondrá en peligro su vínculo fraternal. Mientras Tim está convencido de que puede dar un giro a su carrera, para Chao es su última misión decidido a abandonar Hong Kong, y para Wai su ocasión para recuperar la confianza en si mismo tras un amor fallido.
Pu Pu is dumped by her boyfriend whom she loves. Before she moves out, she asks to listen to "their song" just one more time, that is the hidden track by Jay Chou. Then she leaves him and goes to her sister's place in Hong Kong. All the while she is there, she searches for the same song, the "hidden track", and from this it leads her onto a journey of discovering love and a new beginning. Despite the whole movie revolving around Jay Chou's song, Jay Chou plays only a cameo part.
Urban tale of fantasies, genre greatly favoured by Hong-Kong cinematography, the latest movie of filmmaker Ann Hui combines elements of horror films with other comical aspects to offer an intriguing and terrifying work of great visual strength.
A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.
