Effie Skrobolas

Películas

The House with the Pomegranates
Producer
Our coincidental meeting with the writer’s granddaughter sparked our interest in a cardboard box. Inside it there was a treasure of old letters, newspaper clippings, personal documents, and half a dozen canisters of super 8mm film. Fifty years after his passing, his granddaughter Christina shares with us Stratis Myrivilis’s poetic inner world.
Rare Land
Producer
A young boy slowly drifts into illness. As sight + sound begin to dwindle, his love for life does not…
.dog
Producer
Young Dimitris, on the verge of manhood yet very much a child, has romanticized his imprisoned father to mythic proportions. When he gets released after ten years, Dimitris cannot wait to finally know him and make up for lost time. But when his father reveals his true nature, Dimitris must face a great dilemma: will his need of belonging prevail over his sense of justice?
En el fuego
Co-Producer
Rojda, originaria del Kurdistán iraquí y soldado del Ejército alemán, viaja a un campo de refugiados situado en Grecia donde logra reencontrarse con su madre, que tiene malas noticias acerca de su hermana Dilan.
Do It Yourself
Creative Producer
A small-time crook agrees to star in a viral video that will restore the image of a businessman who acts against the law. When he realizes that he is the next victim in this man’s list, he struggles to save himself at any cost, in this suspenseful action film.
1968
Associate Producer
A.E.K., the well-known Greek basketball team founded in 1924 by refugees from Constantinople, after 44 years, beats SLAVIA of Prague and wins the European Cup.
Forever
Associate Producer
Two people, alone in a desolate city. Costas and Anna in Athens. Costas is an engine driver. The trains he drives travel from one end of the city to the other, following the traces of the ancient rivers that were paved over and made into roads. Anna sells ferry boat tickets at Piraeus, the city’s main harbour, the place where the rivers once flowed into the sea. Costas knows Anna. He sees her every morning, waiting on the platform for his train to take her from Thiseion to Piraeus; and he sees her every afternoon, when his train takes her from Piraeus back to Thiseion. Anna doesn’t know Costas. From the window of the train car she looks out at the same desolate city every day, without knowing who’s driving the train. When something happens to turn Costas’s life upside down, he decides to reach out from inside his solitude and talk to Anna.