Roberto Ramos Perea
Nacimiento : 1957-08-13, Mayaguez, Puerto Rico
Historia
Roberto Ramos-Perea (Mayagüez, Puerto Rico, 1959). Playwright, screenwriter, actor, stage director, historian and critic of Puerto Rican theater and cinema
Art Direction
Comedia satírica sobre un jíbaro aguzao que se muda del campo a la ciudad y que se resiste a cambiar sus costumbres campestres.
Writer
Comedia satírica sobre un jíbaro aguzao que se muda del campo a la ciudad y que se resiste a cambiar sus costumbres campestres.
Script
Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.
Art Direction
Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.
Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.
Adaptation
Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.
Writer
Una joven prostituta es utilizada para arrestar a un joven terrorista.
Himself
Da un vistazo a Puerto Rico y al cine puertorriqueño a través de películas, documentales y comerciales de distintas épocas, desde principios del siglo XX hasta el cine emergente del presente. En el recorrido, se identifican estrategias visuales y narrativas que retratan fragmentos de la historia general puertorriqueña y que, a su vez, responden a las preguntas de quién, cuándo, y para quién se ha hecho cine en Puerto Rico y los recursos con que se cuenta para hacerlo.
Writer
Un extenso documental sobre la vida del llamado padre de las letras y del teatro puertorriqueño, don Alejandro Tapia y Rivera. Reproduce escenas de la infancia de Tapia, su tempestuosa vida romántica en el San Juan decimonónico, su famoso duelo a pistola que le provoca el destierro, así como su fascinación por el teatro y la literatura y sus trascendentales aportes artísticos al proceso de creación de la identidad puertorriqueña.
Director
Un extenso documental sobre la vida del llamado padre de las letras y del teatro puertorriqueño, don Alejandro Tapia y Rivera. Reproduce escenas de la infancia de Tapia, su tempestuosa vida romántica en el San Juan decimonónico, su famoso duelo a pistola que le provoca el destierro, así como su fascinación por el teatro y la literatura y sus trascendentales aportes artísticos al proceso de creación de la identidad puertorriqueña.
Writer
The story of two Puerto Rican soldiers, struggling with their consciences, to forget what happened during the battle of Fallujah in the war in Iraq. It poses a great Puerto Rican problem, where should the loyalty of Puerto Rican soldiers lie?
Director
The story of two Puerto Rican soldiers, struggling with their consciences, to forget what happened during the battle of Fallujah in the war in Iraq. It poses a great Puerto Rican problem, where should the loyalty of Puerto Rican soldiers lie?
Writer
A prostitute tries to escape her fate by corrupting others in order to save her soul.
Director
A prostitute tries to escape her fate by corrupting others in order to save her soul.
Art Direction
Illustrates the events of the Ponce Massacre through the life of one of the victims, Ulpiano Perea.
Writer
Illustrates the events of the Ponce Massacre through the life of one of the victims, Ulpiano Perea.
Writer
Dramatization of the American invasion in Puerto Rico during 1898.
Director
Dramatization of the American invasion in Puerto Rico during 1898.
Mario
Adapted from the play by Roberto Ramos Perea. Mario, the prodigal son, returns to claim his inheritance, following the mandate of an appearance from the specter of his father. He does not seek money, but instead to stop the sale of the lands. Mario confronts his mother Victoria with the words of his father: "Land is not sold".
Screenplay
Adapted from the play by Roberto Ramos Perea. Mario, the prodigal son, returns to claim his inheritance, following the mandate of an appearance from the specter of his father. He does not seek money, but instead to stop the sale of the lands. Mario confronts his mother Victoria with the words of his father: "Land is not sold".
