Germán Valverde

Películas

Quijotes Negros
Cinematography
A beggar and a butcher fight for the Princess and the Queen of Spain's love. These characters, without their awareness, will access a place denied for them because of their ethnic and social status.
Zuquillo Exprés
Cinematography
El mercado de las Zuquillo está tan deteriorado que un buen día se derrumba y deja a las chicas sin trabajo cambiando drásticamente su vida. Charo decide emigrar a los Estados Unidos, Lucha descubre a su amado Johnny con otra, Nacha y Meche, concluyen que debe irse del país acompañando a Charo. De esta manera se inicia “Zuquillo exprés”, cuando las cuatro mujeres cruzan la frontera guiadas por un coyote.
El lugar donde se juntan los polos
Cinematography
Juan, the film director, is Ecuadorian, his partner, Francisca, is Cuban. They live in Paris where their two children were born, just like Juan 30 years earlier. By switching back and forward from past to present, between the history of a family across 3 generations and that of a whole continent, the film director considers the issue of political commitment and the heritage left to the next generation in the form of a letter from a father to his children.
Fuera de juego
Director of Photography
Juan dreams to escape from his country and its problems.
Ratas, ratones, rateros
First Assistant Camera
Ambientada en medio de la miseria de los pobres de Ecuador, "Ratas, Ratones, Rateros" narra la historia de Salvador, un joven ladrón envuelto en una espiral de delincuencia cada vez mayor gracias a su primo Ángel, un ex-convicto.