Viktor Ivanov

Nacimiento : 1948-08-05, Leningrad, USSR

Muerte : 2011-10-07

Películas

The Ugly Swans
Production Design
In the near future, writer Victor Banev gets himself on a UN commission to investigate what's going on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. Banev's tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.
Не делайте бисквиты в плохом настроении
Production Design
Концерт для крысы
Production Design
The rat lives in a cage that stands in the room of a large communal apartment in which the poet lives. The apartment is in the house; House - in the yard-well; The courtyard is in the city; And in the courtyard - 1939 ...In the film there are many newsreel frames of those times, the sound series contains both popular and propagandist songs, both Soviet and German. The plot is divided into many unrelated episodes, which are colorized in different colors. The author claims that everything shown should be understood outside of symbolism: everything in the film means only itself.
The Year of the Dog
Production Design
Former criminal Sergei meets Vera - an elderly unhappy woman who lives in a dormitory. After Sergei commits another crime, they run together and along the way they accidentally get into a zone contaminated by radiation. Sergei decides to stay there, but Vera does not leave him. At that moment three looters come to the territory.
Barabaniada
Production Design
Feature film.
Prishvin's Paper Eyes
Production Design
TV director Pavel Prishvin is filming with his friend-filmmaker, whose film talks about Stalinism
Whit Monday
Production Design
Ivan Khristoforov discovers the strange property of foreseeing explosions. Trying to understand the reason and meaning of this unusual ability, he turns to family history. The attention of the secret public service doesn't bode well for Khristoforov. The imaginary journey of the hero in his past, bearing the imprint of a children's worldview, and the present, at times just like a dream.
The Burglar
Production Design
With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.
Moy Boevoy Rashchyot
Production Design
1945 год, война позади. Восемнадцатилетний сержант Сергей Кружкой после тяжелого ранения возвращается домой. Узнав, что в городе орудует банда преступников, герой решает помочь органам правопорядка и в одиночку начинает расследование. После первого столкновения с бандитами Сергей попадает в госпиталь. К нему приезжают фронтовые друзья и они вместе разрабатывают план действий…
Cartas de un hombre muerto
Production Design
Tras una guerra nuclear, los supervivientes se han refugiado en bunkers subterráneos para protegerse del invierno nuclear. Sin embargo, una nueva generación encuentra la forma de crear una nuevo sistema de vida sobre la Tierra.