Gabriela Calvache

An exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.

Una bella mujer recurre a la prostitución. Debe entregar sus ingresos al líder de una red de trata de personas, pero la enfermedad y la adicción a las drogas de su hija le impiden entregar su parte habitual. Un evento inesperado le dará la oportunidad de dejar de obedecer y tomar la justicia en sus propias manos.

Una bella mujer recurre a la prostitución. Debe entregar sus ingresos al líder de una red de trata de personas, pero la enfermedad y la adicción a las drogas de su hija le impiden entregar su parte habitual. Un evento inesperado le dará la oportunidad de dejar de obedecer y tomar la justicia en sus propias manos.

Una bella mujer recurre a la prostitución. Debe entregar sus ingresos al líder de una red de trata de personas, pero la enfermedad y la adicción a las drogas de su hija le impiden entregar su parte habitual. Un evento inesperado le dará la oportunidad de dejar de obedecer y tomar la justicia en sus propias manos.

Una bella mujer recurre a la prostitución. Debe entregar sus ingresos al líder de una red de trata de personas, pero la enfermedad y la adicción a las drogas de su hija le impiden entregar su parte habitual. Un evento inesperado le dará la oportunidad de dejar de obedecer y tomar la justicia en sus propias manos.

The reality of four rural women in the Metropolitan District of Quito. Despite their pain and difficulties, they have managed to forge a life that in maturity unfolds all the beauty of wisdom.

Asier y el actor y director vasco Aitor Merino crecieron juntos en las calles del País Vasco. Fueron juntos a la ikastola, y se hicieron grandes amigos. Años después, Aitor se trasladó a vivir a Madrid. En el año 2002, Asier se integró en ETA. Su antiguo amigo se preguntó: "¿Cómo hacer entender a mis amigos de Madrid qué pudo llevarle a tomar una decisión que a mí mismo me costaba asimilar? En cuanto Asier salió de prisión, tomé una cámara con el objetivo de hacer una película en la que trataría de responder a esa pregunta, y de paso, por qué no, acercar posturas. Sin embargo, mi plan no resultaría tan sencillo como yo esperaba."

Between the city and the countryside, the subtle and modern forms of slavery unfold. A girl waits for the pick-up truck that will transport her to the city. Once there, amidst a never-ending row of walls and fences, she peeks into the entrance to a school. Lined up and in uniform, those girls are not the ones Carmen will join.

Between the city and the countryside, the subtle and modern forms of slavery unfold. A girl waits for the pick-up truck that will transport her to the city. Once there, amidst a never-ending row of walls and fences, she peeks into the entrance to a school. Lined up and in uniform, those girls are not the ones Carmen will join.

Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.

Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.

Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.

Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.

Jessica is a rebellious 17-year-old living with her aunt and grandmother in Quito. Her absent mother has stopped sending money, causing rifts within the family. When she decides to search for the father she's never met, she ends up in the country home of her father's brother and his wife, where the mirrors are always covered and the air is thick with fog and mystery.

Anne Slick and Danielle Bernstein's inspirational documentary details the battle over land between an international mining conglomerate and the residents of the small Ecuadorian community of Junin. Dissuaded by big-money offers and menacing threats, the people of Junin remain resilient in their efforts to protect the land their forebears settled from the threats of commercial development and extraction.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

Although their ideological, social and economic differences, Christian and Juan Fernando have been able to maintain a strong friendship since childhood.

In this autobiographical documentary, Ana Benitez takes us through her breast cancer process. In the midst of hospitals overflowing with COVID-19 patients and corpses, she registered her physical changes and testifies the healing of her body and soul.