Richard Besse

Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.

The undertaking of an enthusiastic group of scientists to transform an indoor cycle racing-track built for the 1968 Montréal Olympics into an ecological park. The Biodôme of Montréal contains 4 ecosystems of the 3 Americas, from the Tropical Forrest to the Polar World, from the Laurentian Forrest to the St-Lawrence Marine Environment.

Alex has a deeply troubled mind. He also has a seriously dysfunctional - not to say incestuous - family. Why then, has he returned from his merchant seaman job to the rocky coasts of his home? Perhaps he couldn't cut manage to march in his father's footsteps in that job. His mother doesn't seem to mind, and lets him stay at her bed and breakfast hotel. His sister still seems to have the hots for him, just as she does for his (and her) old boyfriend Jean-Louis, who has just shown up. Even his mother seems to find him sexy. All these people appear eager to get their hands on his body, but he's too wrapped up in what's going on inside his head to notice.

A garagist must take care of his sick mother and irresponsible brother.

Through clever stylistic composition, this experimental film shows that everything is interdependent, even in the arts, and that, inevitably, both the artist and the viewer are being manipulated.

Uno de los grandes éxitos del cine canadiense de los años ochenta. El director francófono -natural de Quebec- Denys Arcand retrata dos grupos, uno de hombres y otro de mujeres, que hablan de sexo, de sus fantasías, sus fustraciones, sus intimidades...

In 1945, Great Britain and the United States organized a bombing raid that devastated the ancient city of Dresden. This short documentary returns exactly 40 years after its destruction and celebrates its renaissance with the re-opening of one of the most beautiful opera houses in Europe. One guest at this gala was the Canadian navigator of one of the bomber planes, returning to Dresden on a mission of peace that brought him face-to-face with the people who were once his enemies.

Five men work together in a communal effort to build a skiff on Ile-aux-Coudres, an island in the St. Lawrence River. It is built in a traditional fashion, all the more remarkable because no blueprint is used. The film does not merely record a building tradition, it reveals the character of the craftsmen, who are influenced by a pre-industrial way of life underscored by spontaneity and wit.

In this feature drama, a Canadian Indigenous youth attempts to find a place for himself. He faces culture shock as the educational system teaches him to be a white man and tries to find a way of life more meaningful to his Indigenous culture and ancestry.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

A detailed retrospective of animation and animation techniques at the National Film Board of Canada.

This experimental short film deals with anguish, as imagined by Claude Péloquin, author, poet, performer and filmmaker, in the early 1970s. Vertiginous camera angles, oppressive places and a disturbing soundtrack, the filmmaker uses his sound environment and the words of the interpreter Josée Vanasse to express this generalized disease at a time of great acceleration and fury for life.

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.