Tomasz Tarasin

Nacimiento : 1940-03-08, Olkusz, Malopolskie, Poland

Películas

Black Feet
Director of Photography
A group of Boy scouts who name themselves Black Feet learn lessons about honor and brotherhood in a camp.
Nad Niemnem
Cinematography
Adaptation of novel by Eliza Orzeszkowa. The film is set in 1886 in Lithuania, is spins around a conflict between Bohatyrowicz family and aristocrat family in Korczyn. Against the background of the social and family disputes was shown topic of love between Justyna Orzelska, niece of Benedykt Korczyński, and Jan Bohatyrowicz. Will their love be strong enough to break the mental barrier that separates the world of Bohatyrowicz from the world of Korczyński?
Crumbs of War
Cinematography
A young partisan named Derkacz is fighting in the Świętokrzyskie Mountains. In order to transport the wounded commander, he takes a horse from a nearby village along with its owner, teenage Józek.
Podróż do Arabii
Director of Photography
Biohazard
Camera Operator
The former head of the Institute of Science - Professor Molnar, returns to the Institute to seek treatment for his heart condition. The new director of the Institute, and his former assistant, Dr. Egberg had a falling out with Molnar after the latter considered his research unethical. However, after waking up from surgery, Molnar makes a horrifying discovery; Egberg has swapped their brains!
Honor dziecka
Director of Photography
There has been a secret relationship between the nephew of the ordinate - Jan, and his older cousin Xymena. However, Jan falls in love with the foster daughter of the ordinate, the young Krystyna. The ordinate does not consent to marriage, because Krystyna is his illegitimate daughter, and thus Jan's cousin. But it turns out that Jan is not the son of the general's brother ...
A Story of a Man Who Filled 552% of the Quota
Director of Photography
A movie quintessential to Wiszniewski's artistic output. Its protagonist, Bernard Budgol, is a miner and a legendary leader of socialist labour in the 40s and 50s. Structured around a dissonance and contradiction, the film is reminiscent of a broken mirror. Budgol's utterances do not for a cohesive whole, but come into conflict with one another. His wife, children and fellow miners tend to be critical of him while the protagonist himself feels compelled to defend his legend and the rightousness of his own conduct. (FILMAFFINITY)