Koldo Almandoz
Nacimiento : 1973-01-01, Donostia, Gipuzkoa, Euskal Herria
Historia
Koldo Almandoz (San Sebastian, 1973) is a Basque filmmaker and journalist. He is the author of several shorts, documentaries and experimental reels.
Producer
A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.
Editor
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Camera Operator
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Screenplay
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Director
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Producer
En 1972, en uno de sus artículos más conocidos, Pier Paolo Pasolini hablaba de la desaparición de las luciérnagas. Al cabo de pocos meses lo asesinaron. Desde entonces las luciérnagas siguen desapareciendo. Pero todavía hay gente que las recuerda.
Screenplay
Khalil es un joven desarraigado que vive en la periferia de la ciudad, allí donde los polígonos industriales confluyen con el río y la marisma. Khalil se busca la vida como puede y pasa los días junto a un viejo furtivo, que comparte una casa en la orilla del río con un hermano con el que no se habla desde hace años. En las orillas de la marisma, las mareas marcan el tiempo del amor y el desamor, de la amistad y la venganza.
Director
Khalil es un joven desarraigado que vive en la periferia de la ciudad, allí donde los polígonos industriales confluyen con el río y la marisma. Khalil se busca la vida como puede y pasa los días junto a un viejo furtivo, que comparte una casa en la orilla del río con un hermano con el que no se habla desde hace años. En las orillas de la marisma, las mareas marcan el tiempo del amor y el desamor, de la amistad y la venganza.
Producer
Plaga: Del lat. plaga 'golpe', 'herida'. Sig. Aparición masiva y repentina de seres vivos de la misma especie que causan graves daños a poblaciones animales o vegetales. Abundancia de algo nocivo.
Cinematography
Plaga: Del lat. plaga 'golpe', 'herida'. Sig. Aparición masiva y repentina de seres vivos de la misma especie que causan graves daños a poblaciones animales o vegetales. Abundancia de algo nocivo.
Sound
Plaga: Del lat. plaga 'golpe', 'herida'. Sig. Aparición masiva y repentina de seres vivos de la misma especie que causan graves daños a poblaciones animales o vegetales. Abundancia de algo nocivo.
Editor
Plaga: Del lat. plaga 'golpe', 'herida'. Sig. Aparición masiva y repentina de seres vivos de la misma especie que causan graves daños a poblaciones animales o vegetales. Abundancia de algo nocivo.
Director
Plaga: Del lat. plaga 'golpe', 'herida'. Sig. Aparición masiva y repentina de seres vivos de la misma especie que causan graves daños a poblaciones animales o vegetales. Abundancia de algo nocivo.
Writer
Doce cortometrajes, doce retratos de la ciudad de San Sebastián. Nombres históricos y jóvenes promesas de la cinematografía guipuzcoana conviven en esta película impulsada por Donostia / San Sebastián 2016, Capital Europea de la Cultura. (FILMAFFINITY)
Director
Doce cortometrajes, doce retratos de la ciudad de San Sebastián. Nombres históricos y jóvenes promesas de la cinematografía guipuzcoana conviven en esta película impulsada por Donostia / San Sebastián 2016, Capital Europea de la Cultura. (FILMAFFINITY)
Producer
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Director of Photography
Una siniestra historia de barcos y naufragios, amor y cine, fantasmas y vampiros. Bram Stoker, autor de «Drácula», su esposa Florence Balcombe y su relación con Oscar Wilde. Friedrich Wilhelm Murnau y la acechante sombra del Conde Orlok, el no-muerto, el nosferatu. Un misterioso crucero, una tumba profanada, una emocionante aventura.
Screenplay
Una siniestra historia de barcos y naufragios, amor y cine, fantasmas y vampiros. Bram Stoker, autor de «Drácula», su esposa Florence Balcombe y su relación con Oscar Wilde. Friedrich Wilhelm Murnau y la acechante sombra del Conde Orlok, el no-muerto, el nosferatu. Un misterioso crucero, una tumba profanada, una emocionante aventura.
Director
Una siniestra historia de barcos y naufragios, amor y cine, fantasmas y vampiros. Bram Stoker, autor de «Drácula», su esposa Florence Balcombe y su relación con Oscar Wilde. Friedrich Wilhelm Murnau y la acechante sombra del Conde Orlok, el no-muerto, el nosferatu. Un misterioso crucero, una tumba profanada, una emocionante aventura.
Director
'Euskal Harriaren ABDak' is a collective film made up by 26 horror, science fiction and fantasy short films. The shorts are directed by Basque filmmakers and amateur groups.
Editor
The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.
Screenplay
The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.
Director
The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.
Screenplay
The story of a pioneer of the engine who dreamt of dragonflies as a child and died living out his dream.
Director
The story of a pioneer of the engine who dreamt of dragonflies as a child and died living out his dream.
Screenplay
The employee comes to the factory every day. He is the only person who is qualified to do his particular job. It is precise, mundane, and repetitive work. Every morning he goes through the same drill, starting up each machine. Today, though, he has made a decision...
Director
The employee comes to the factory every day. He is the only person who is qualified to do his particular job. It is precise, mundane, and repetitive work. Every morning he goes through the same drill, starting up each machine. Today, though, he has made a decision...
Executive 3
The employee comes to the factory every day. He is the only person who is qualified to do his particular job. It is precise, mundane, and repetitive work. Every morning he goes through the same drill, starting up each machine. Today, though, he has made a decision...
Editor
Suddenly, ducks cross the screen.
Screenplay
Suddenly, ducks cross the screen.
Director
Suddenly, ducks cross the screen.
Editor
Some wild pigeons lose their way and take the rest in the wrong direction. Finally, the whole flock, disorientated, dies because of an unsensed flight.
Art Direction
Some wild pigeons lose their way and take the rest in the wrong direction. Finally, the whole flock, disorientated, dies because of an unsensed flight.
Producer
Some wild pigeons lose their way and take the rest in the wrong direction. Finally, the whole flock, disorientated, dies because of an unsensed flight.
Cinematography
Some wild pigeons lose their way and take the rest in the wrong direction. Finally, the whole flock, disorientated, dies because of an unsensed flight.
Screenplay
Some wild pigeons lose their way and take the rest in the wrong direction. Finally, the whole flock, disorientated, dies because of an unsensed flight.
Director
Some wild pigeons lose their way and take the rest in the wrong direction. Finally, the whole flock, disorientated, dies because of an unsensed flight.
Editor
An entomologist is taking part in a conference in Kioto. One morning he decides to go and visit a temple instead of going to a symposium. It is an ordinary spring day until Midori appears in front of his video camera.
Art Direction
An entomologist is taking part in a conference in Kioto. One morning he decides to go and visit a temple instead of going to a symposium. It is an ordinary spring day until Midori appears in front of his video camera.
Producer
An entomologist is taking part in a conference in Kioto. One morning he decides to go and visit a temple instead of going to a symposium. It is an ordinary spring day until Midori appears in front of his video camera.
Cinematography
An entomologist is taking part in a conference in Kioto. One morning he decides to go and visit a temple instead of going to a symposium. It is an ordinary spring day until Midori appears in front of his video camera.
Screenplay
An entomologist is taking part in a conference in Kioto. One morning he decides to go and visit a temple instead of going to a symposium. It is an ordinary spring day until Midori appears in front of his video camera.
Director
An entomologist is taking part in a conference in Kioto. One morning he decides to go and visit a temple instead of going to a symposium. It is an ordinary spring day until Midori appears in front of his video camera.
Screenplay
A lonely fisherman knows what hook to use for each fish. Now he’s looking for a hook for the impossible catch...
Director
A lonely fisherman knows what hook to use for each fish. Now he’s looking for a hook for the impossible catch...
Editor
A woman steps out of the shower, gets dressed and goes out to the field behind the farmhouse with her son in her arms to hang some sheets out to dry. In the distance, a man is cutting the grass. Suddenly, the child, who was sitting in a basket, gets up and walks off into the grass...
Cinematography
A woman steps out of the shower, gets dressed and goes out to the field behind the farmhouse with her son in her arms to hang some sheets out to dry. In the distance, a man is cutting the grass. Suddenly, the child, who was sitting in a basket, gets up and walks off into the grass...
Screenplay
A woman steps out of the shower, gets dressed and goes out to the field behind the farmhouse with her son in her arms to hang some sheets out to dry. In the distance, a man is cutting the grass. Suddenly, the child, who was sitting in a basket, gets up and walks off into the grass...
Director
A woman steps out of the shower, gets dressed and goes out to the field behind the farmhouse with her son in her arms to hang some sheets out to dry. In the distance, a man is cutting the grass. Suddenly, the child, who was sitting in a basket, gets up and walks off into the grass...
Screenplay
After banishing man from the Garden of Eden, God saw that the poor fellow was so lonely and defenceless that He sent the angel Raziel to look after him.
Director
After banishing man from the Garden of Eden, God saw that the poor fellow was so lonely and defenceless that He sent the angel Raziel to look after him.
Raziel
After banishing man from the Garden of Eden, God saw that the poor fellow was so lonely and defenceless that He sent the angel Raziel to look after him.
