Cristin König

Películas

We Might As Well Be Dead
Frau Richards
The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.
Enemigos: El abogado
Biegler's Colleague
El veterano abogado defensor Konrad Biegler acepta la defensa de un hombre acusado de secuestrar a una joven. En el juicio deberá enfrentarse al tenaz inspector de policía Peter Nadler.
Rushes
Monika
Early morning in the Bavarian woods. Christoph, suffering from a severe hang-over, sits next to his mother on a high seat. While she is aiming at a deer, Christoph tries to make up his mind. He’s had the plan to come out to her, but this really doesn’t seem like the best time. He checks his breath, screws up his courage and tries to tell her – simultaneously she fires a shot. Everything goes wrong and if that wasn’t enough, his boyfriend is about to arrive.
El viaje de Sara
Eva Landmann
Miniserie de TV de 2 episodios. En el año 1982, Sara Bender (Veronica Ferres) decide huir de la RDA a la RFA con sus dos hijas pequeñas. Pero, antes de cruzar la frontera, son detenidas y separadas. La mujer acaba en la cárcel para mujeres de la Alemania comunista de Hoheneck, y las hijas en un asilo... (FILMAFFINITY)
Half Hours
Melanie Straub lives aimlessly into the day, or more accurately: into a Saturday. She′s alone at home, surrounded by the emptiness of her new life.
Leningrad. November
After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.