Cristin König

参加作品

We Might As Well Be Dead
Frau Richards
The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.
Enemies: The Confession
Biegler's Colleague
Veteran defense attorney Konrad Biegler accepts the defense of a man accused of kidnapping a young girl. At the trial he must face the tenacious police inspector Peter Nadler.
Rushes
Monika
Early morning in the Bavarian woods. Christoph, suffering from a severe hang-over, sits next to his mother on a high seat. While she is aiming at a deer, Christoph tries to make up his mind. He’s had the plan to come out to her, but this really doesn’t seem like the best time. He checks his breath, screws up his courage and tries to tell her – simultaneously she fires a shot. Everything goes wrong and if that wasn’t enough, his boyfriend is about to arrive.
Die Frau vom Checkpoint Charlie
Eva Landmann
Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie
Half Hours
Melanie Straub lives aimlessly into the day, or more accurately: into a Saturday. She′s alone at home, surrounded by the emptiness of her new life.
Leningrad. November
After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.