Alejo Álvarez

Nacimiento : 1913-12-11, Valparaíso, Chile

Muerte : 2002-02-05

Películas

Cómo aman los chilenos
Screenplay
An American journalist arrives in Chile to study the love life of the locals.
Cómo aman los chilenos
Director
An American journalist arrives in Chile to study the love life of the locals.
El afuerino
Music
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
El afuerino
Producer
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
El afuerino
Screenplay
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
El afuerino
Director
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
El afuerino
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
Tierra quemada
Screenplay
The story, set at the end of the 19th century, revolves around the rivalry between two families of ancient peasant lineage, the Valladares and the evil Vilches who, out of greed and sentimental revenge, try to dispossess the true owners of their land. The Valladares defend theirs, ending the conflict with a melee between the two main rivals. There are duels, fires, chases, kidnappings, betrayals and deaths. There is also a romantic note, the costumbrista landscape, the laughable moment and the folk songs.
Tierra quemada
Director
The story, set at the end of the 19th century, revolves around the rivalry between two families of ancient peasant lineage, the Valladares and the evil Vilches who, out of greed and sentimental revenge, try to dispossess the true owners of their land. The Valladares defend theirs, ending the conflict with a melee between the two main rivals. There are duels, fires, chases, kidnappings, betrayals and deaths. There is also a romantic note, the costumbrista landscape, the laughable moment and the folk songs.
Tierra quemada
The story, set at the end of the 19th century, revolves around the rivalry between two families of ancient peasant lineage, the Valladares and the evil Vilches who, out of greed and sentimental revenge, try to dispossess the true owners of their land. The Valladares defend theirs, ending the conflict with a melee between the two main rivals. There are duels, fires, chases, kidnappings, betrayals and deaths. There is also a romantic note, the costumbrista landscape, the laughable moment and the folk songs.
La Hechizada
Screenplay
Baltasar, a young man in his twenties, is sent by his father to live with his aunt Dolores, an elderly widow and childless widow, on the Las Pataguas farm. There he meets his neighbors, the Araneda family, owners of the El Pantano farm and parents of the beautiful Humilde, with whom Balthazar falls in love. But the girl is "bewitched" by Saúl Araneda, her seductive cousin, whom the locals consider dangerously jealous.
La Hechizada
Director
Baltasar, a young man in his twenties, is sent by his father to live with his aunt Dolores, an elderly widow and childless widow, on the Las Pataguas farm. There he meets his neighbors, the Araneda family, owners of the El Pantano farm and parents of the beautiful Humilde, with whom Balthazar falls in love. But the girl is "bewitched" by Saúl Araneda, her seductive cousin, whom the locals consider dangerously jealous.
La Hechizada
Baltasar, a young man in his twenties, is sent by his father to live with his aunt Dolores, an elderly widow and childless widow, on the Las Pataguas farm. There he meets his neighbors, the Araneda family, owners of the El Pantano farm and parents of the beautiful Humilde, with whom Balthazar falls in love. But the girl is "bewitched" by Saúl Araneda, her seductive cousin, whom the locals consider dangerously jealous.
El hechizo del trigal
Un muchacho de campo ama a la hija de su patrón y padrino. Un ingeniero que viene de la ciudad se interesa en la joven quien le corresponde en contra de su voluntad. Triunfa “el hechizo del trigal” con toda la chilenidad inherente: hay cuecas, rodeos, paseos campestres, esquinazos, discursos de sobremesa y todo el artificio imaginable para hacer de ésta una fiesta “muy chilena”.