Douglas Sánchez

Douglas Sánchez

Nacimiento : 1952-09-30, Santurce, Puerto Rico

Historia

Douglas Pedro Sánchez (born in San Juan, Puerto Rico, on September 30, 1952) is a film director and screenwriter from Santurce, Puerto Rico. In 1979 he produced, wrote and directed the feature-length film Cualquier cosa (Any Given Thing), which won him a Special Award from the Mexican Academy of Cinematographic Arts and Sciences in 1981, the same Award given to Pedro Armendáriz (1947), Cantinflas (1952), Dolores del Río (1975), Paul Leduc (1977), and Luis Buñuel (1978)

Perfil

Douglas Sánchez

Películas

La última gira
Writer
Legendary singer Daniel Santos lives in Ocala, Florida, and prepares his biography with Secre, a young journalist. The memory of past glories makes him embark on one more adventure: a tour of South American countries where he was known as “El Jefe” (The Chief) and where he expects to be yet again acclaimed and applauded.
La última gira
Director
Legendary singer Daniel Santos lives in Ocala, Florida, and prepares his biography with Secre, a young journalist. The memory of past glories makes him embark on one more adventure: a tour of South American countries where he was known as “El Jefe” (The Chief) and where he expects to be yet again acclaimed and applauded.
Sol de medianoche
Writer
Manolo, un detective privado especializado en casos de adulterio, espía y graba el amorío de sus amigos del pasado, Carlos y Migdalia, mientras al mismo tiempo intenta reconstruir mentalmente los eventos que culminaron en el homicidio de su hermano gemelo, Frank.
Sol de medianoche
Director
Manolo, un detective privado especializado en casos de adulterio, espía y graba el amorío de sus amigos del pasado, Carlos y Migdalia, mientras al mismo tiempo intenta reconstruir mentalmente los eventos que culminaron en el homicidio de su hermano gemelo, Frank.
Cualquier cosa
Director
An actor from the provinces, a soap-opera star, reaches the big city with dreams of success. Partly through sincerity and partly prompted by an uneasy conscience, he wants to revolutionize the traditional photo-novel by linking it to social and political reality, to "bring social conscience to the masses" by utilizing this traditionally manipulative and alienating mass medium. The film narrates, in a tragicomic tone, the itinerary followed by Gualberto Rodriguez in his efforts to produce his 'revolutionary' photo-novel: the story of a peasant that migrates to the city, becomes a blue-collar worker, tries to establish a union, and ends up falling in love with the factory owner's daughter. The 'revolutionary' ends up being used, manipulated, and his project fails completely.