Editor
A portrait of cosplayer Jessica Nigri, from a magical childhood growing up with quirky parents in New Zealand, to entering middle school in the U.S. where she was mercilessly teased for her "nerdy" interests.
Editor
Follow Barbara Dunkelman and Blaine Gibson as they must survive their work, their social lives and the modern world without the comfort of their cell phones in order to explore how our brains change with our use of technology and analyze how we sustain and build relationships in the 21st century.
Editor
Like millions of indigenous people, many Native American tribes do not control their own material history and culture. For the Eastern Shoshone and Northern Arapaho tribes living on the isolated Wind River Indian Reservation in Wyoming, new contact with lost artifacts risks opening old wounds but also offers the possibility for healing. What Was Ours is the story of how a young journalist and a teenage powwow princess, both of the Arapaho tribe, travelled together with a Shoshone elder in search of missing artifacts in the vast archives of Chicago’s Field Museum. There they discover a treasure trove of ancestral objects, setting them on a journey to recover what has been lost and build hope for the future.
3D Artist
Traicionado por Vesper, la mujer a la que amaba, 007 se plantea su nueva misión como algo personal. Durante su investigación, Bond y M interrogan a Mr. White, que les revela que la organización que chantajeó a Vesper es mucho más compleja y peligrosa de lo que imaginan. El servicio de inteligencia forense vincula a un traidor del Mi6 con una cuenta bancaria en Haití, donde Bond conoce a la bella pero combativa Camille, una mujer que tiene sus propios motivos para vengarse. Gracias a Camille, Bond descubre la existencia de Dominic Greene, despiadado hombre de negocios y miembro importante de la misteriosa organización.
Editor
THIRD WARD TX is the story of how Project Row Houses used the tools of design, art and architecture to transform two blocks of "shotgun" houses reminiscent of New Orleans and other Black communities across the South into exhibition space, classrooms, gardens, and residential space. But their success in reducing crime, and making their "campus" a magnet for art enthusiasts, families, and local residents, also attracts deep-pocket real estate developers. Their bold response is to include community planning and new housing as a part of their art practice. If they can shape an area in Third Ward for the residents, there's a chance they can keep the neighborhood intact.
