Flora Pop

An 8 years-old boy finds a dead man's body at a top of a mountain. As he knocks on the doors of the village, trying to solve the mystery, a portrait of a village is revealed - a place in transition between the traditions of the past and the violence of contemporary reality.

The director and her father take a camera in hand and film each other during interviews in which they discuss schizophrenia, their own pasts, and their personal conceptions of happiness. The film is a personal statement of two people affected by or marked by a mental disorder - a father forced to live with it and a daughter who had to grow up with a sick and often absent father. During filming, they try to find understanding for each other while revealing their inner traumas. One of the secondary topics is what it is like to undergo treatment for a mental disorder in Romania, as the father expresses frustration with the way he and his condition are viewed by the local healthcare system.

Would you rather have water or milk? See the world in blue or pink? Keep the film going or finish it? Individuals accept the game proposed by the director and make their choices in front of the camera. With this film, Laura Marques questions her role as filmmaker. Perhaps cinema is just a children’s game?

Would you rather have water or milk? See the world in blue or pink? Keep the film going or finish it? Individuals accept the game proposed by the director and make their choices in front of the camera. With this film, Laura Marques questions her role as filmmaker. Perhaps cinema is just a children’s game?

Tres hombres de una ciudad de provincias se encuentran en una situación de necesidad económica, por lo que deciden comprar un boleto de lotería. Tras ganar, pronto descubrirán que los boletos han sido robados.

In the midst of a boiling Middle East, while the Lebanese borders are under constant terrorist attacks, a Beiruti couple is battling their midnight anxiety.