Baiba Broka

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

After hearing many success stories about direct sales companies, Roberts decides to try his luck in selling vacuum cleaners door to door. On the first work day he finds out about the possible bonus in case of at least 2 successfully closed sales deals. At a glance the task seems quite easy. Once Robert faces the reality in a block of flats and encounters its peculiar inhabitants, the task no longer seems to be so simple.

Three sisters, dead broke and disconnected from each other, travel around Europe with their mother’s corpse on top of their van, trying to minimize transportation costs. The trio has to talk, reminisce and maybe even admit that underneath their fantasies of perfection — these are women in a desperate search for freedom.

It is 1991 in Latvia and nineteen-year-old aspiring cinematographer Jazis’s whole world is thrown into chaos as he is dragged into the people’s peaceful protests against the Soviet Army’s attempted takeover of power in his country.

Ainars has been a principal of a local music school for forty years until he is unexpectedly fired. Ainars feels betrayed. Seeing him unhappy, his wife Anita decides to act. When the new principal candidate arrives at the music school, the world created by the two of them collapses. The new suppresses the old and it just seems that everything that has been done before is left in vain.

A couple that does not fit into society’s accepted norms regarding women and men. Routine problems of everyday life that tend to take on immeasurable amplitudes push the film’s leads into a most intimate confinement, one in which thoughts and the answers to problems lead to dreams.

Everyone has their own emotional overwhelm regarding a bad smell. Lizete, an amateur interviewer, is eager to record the moments when it is revealed. Dealing with the topic of bad odour's influences on society, this is an animated short film for adults in the inquiring style of a documentary. The director continues to work on tragi-comic stories about our natural awkwardness while finding ourselves.

Riga in the 30s. Wild bohemian lifestyle is the name of the game for every artist worth his salt. A young man from the countryside, poor but ambitious, arrives in the capital, where he hopes to make his mark in the artistic circles. What follows is a string of events, fraught with confusion and misunderstanding, hilarious and heart-warming at the same time.

A young director, who sits in front of a commission defending a film based on her own experiences with sex and relationships, is continually confronted with questions about why she’s making the movie. The answer doesn’t come easy… Linde took on a difficult task for her short film.

Summer, 1989. City girls, Paula and Laura, spend their summer holidays in a small town with their cousins, Maija and Linda. Four girls, left unattended, enjoy freedom, imitate the life of adults, plunge into reckless adventures and get into trouble. Based on true events, nine-year-old Paula’s story of growing up is set against the background of time when Lat-via made her first steps towards independence.

Este año todo va mal. En la vida de Pippi ha aparecido un hermanito que lo pone todo patas arriba. Con la ayuda de su amigo imaginario, el Señor Sin Sueño, creará un plan para salvar las vacaciones de Navidad.

Este año todo va mal. En la vida de Pippi ha aparecido un hermanito que lo pone todo patas arriba. Con la ayuda de su amigo imaginario, el Señor Sin Sueño, creará un plan para salvar las vacaciones de Navidad.

The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into the house of Melanie and her husband Aleksandr and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Aleksandr, full of hope for a free Latvia and a better tomorrow.

Helen suspects that her beloved son has a girlfriend what he is trying to hide. She is terrified of the possibility that her son could leave her for his girlfriend. Dainis invites her to a party in the hope that they both will be able to become friends, but due to missunderstanding a disaster strikes.

Durante unos momentos cruciales, el 26 de septiembre de 1983, Stanislav Petrov tuvo el destino del mundo en sus manos. Cuando una alarma de repente se encendieron a Soviética centro de alerta temprana nuclear Serpukhov-15, Stanislav fue responsable de reaccionar a un informe que cinco misiles nucleares estadounidenses se dirigían hacia la Unión Soviética. En lugar de tomar represalias, Stanislav siguió su instinto y se fue en contra del protocolo, convenciendo a las fuerzas armadas que se trataba de una falsa alarma. Su decisión salvó al mundo de un posible holocausto nuclear devastadora. Tres décadas después, este héroe olvidado fue en un espectacular viaje a los Estados Unidos, donde fue finalmente reconocido por su hecho histórico y encontró la fuerza para reconciliarse con su pasado. En su viaje, fue recibido por Walter Cronkite como “el hombre que salvó el mundo” y se reunió con Kevin Costner , Robert De Niro , Matt Damon , y Ashton Kutcher .

Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…

After recovering from an overseas mission, Krists Lapins moves into a quiet neighbourhood in Riga. His hopes for a new, peaceful life are disrupted when an unexpected visitor arrives one night. Krists soon finds himself in a swirl of events involving a mysterious blonde, a wannabe private detective, a bankrupt millionaire, and a rigorous cop. In this witty portrayal of modern Latvian society the absurd meets the comic and nothing is what it seems.

The two sisters' parents have gone abroad to earn the living, so the girls Marta and Linda needs someone to take care of them. For that they have their dictatorial spinster aunt Una, who desperately wants to get married, and has a sympathy for the jeweler Ivo. Meanwhile, Marta is working hard to get a promised puppy, but her plans are ruined, as her aunt feels a strong despise for dogs. So, the relations between the girls and their aunt becomes really tense. Until the perfect plan of the sisters - to help the aunt to get married, to get rid of her.

Forty years have passed, and the protagonist meets his childhood fear - an animated character named Honka.

In a house soon to be demolished lives a little girl. When her mother dies, she is forced to look for shelter at the side of a man, the only one still left in the house. He is a strange, somber man with his only companions being two endlessly trustworthy dogs - Monk and Prince.

A tale about a nine-year old boy's relationship with the world around him, shot in one of Latvia's poorest and most beautiful regions - Latgale

The shy scientist Lars decides to publish a small ad in order to find a girlfriend. From the 218 replies, he selects Brigita, an attractive Latvian woman and invites her to Stockholm. But what actually happens after Brigita's arrival is far more complicated than Lars could ever have imagined.

Melodramatic movie with colorful elements of comedy and songs that have deeply rooted in the Latvian folklore. Love triangle - terminally ill university teacher, blind girl and young bard. In the background - wild arrival of the capitalism, political conflicts, city life and beautiful nature of Latvia. In the end love conquers everything though not everybody lives to witness that.

An omnibus film consisting of ten parts, each directed by a different young director from the Latvian Academy of Culture. The unifying element of the ten shorts is the place where they take place - the airport. A lot can happen there - including a strike by a comet, a malicious attempt to break havoc by passengers, or an exploration of the old airport guard's house where not a lot has changed since the collapse of the Soviet Union. The film consists of the following parts: A Mishap (Nediena) by Arta Biseniece, Blurp (Šļurp) by Aija Bley, Alien Sky (Svešās debesis) by Viesturs Kairišs, 5 Versions (5 versijas) by Dzintars Krūmiņš, Comet (Komēta) by Māra Liniņa, Cleptomania (Kleptomānija) by Andis Mizišs, Alfredo's Poetry (Alfredo dzeja) by Igors Varenieks, Little Hand (Mazā roka) by Ilze Vidauska, Comet 2 (Komēta 2) by Anna Viduleja, and Life No. 2 (Dzīve nr.2) by Kristīne Želve.

Baltic German Alice Fon Trota returns to her father’s manor in Latvia in 1919 to sell it and start new life. She meets hostile resistance of local workers and discovers she has been lured into a carefully tailored trap, organized by demonic lawyer Emil Keizerling, decadent underground organization “Viva La Mort” and its necrophile leader Zība Falstaff. They plan to manipulate with Alice, who has received good education in France but also had suffered severe physical traumas. Knowing that her deepest desire is to carry out her unexpressed creative talents, they want to use her potential for their demoniacal purposes that regard the future of Latvia. While escaping the clutches of her “helpers”, she meets Latvian silent cinema enthusiasts. While being with them and working with cinematograph, she learns to use it as a self-discovery tool, as a weapon of confrontation of her enemies and as a way to transform her healing wounds by creating masterpiece of silent cinema.