Telly Leung

A quarter century ago, Jonathan Larson’s groundbreaking musical, RENT, opened at New York Theatre Workshop. From its humble beginnings at NYTW, this rock musical went on to shape a generation. What began in the East Village traveled to Broadway, across the nation and around the world. On March 2, 2021, NYTW held its biggest fundraising event of the year, 25 YEARS OF RENT: MEASURED IN LOVE. This virtual celebration of RENT and its impact on the collective cultural consciousness featured a selection of iconic songs by some of today’s most beloved recording and theatre artists, exclusive content uncovering how RENT came to life, and reflections on the driving force of Jonathan’s legacy in the American theatre.

As a celebration of our performers, and the necessary medium of film to tell these stories at this moment in time, this special program presents some of the best songs specifically written for film ever since the genre first achieved the technology to capture sound. A diverse concert of hits like “Moon River” and “The Man That Got Away” mixed in with other songs from decades of film history offers a look at the effect of these songs on an audience and how, even in a non-musical film, music is key to unlocking the emotional journey of storytelling.

It is said that Jule Styne published over 1,500 songs in his lifetime, a staggering number that spans decades and includes dozens of collaborators. Beginning with Sammy Cahn in the 1940s, his lyricists would include names like Betty Comden, Adolph Green, Leo Robin, Bob Merrill, and Stephen Sondheim. Styne wrote some of our most famous songs and classic Broadway hits, with a multitude of lesser-known work along the way. The lasting power of star vehicles like Gypsy and Funny Girl has remained throughout every sea change of cultural mood and sentiment.

Elegies for Angels, Punks and Raging Queens is a celebration of the lives lost to AIDS told in free-verse monologues with a blues, jazz and rock score.

The groundbreaking works of Richard Rodgers, most famously in his collaborations with Lorenz Hart and Oscar Hammerstein II, gave us the foundation of the modern musical form. But Rodgers also left a family lineage that has enriched the craft in abundant fashion. In a loose song cycle format, this program will weave his work with the charming and witty creations of daughter Mary Rodgers (Once Upon a Mattress) and the complex and extraordinary palette of grandson Adam Guettel (The Light in the Piazza, Floyd Collins), as we look toward the progression of musicals over the decades and into the future.

60 years ago, on May 3, 1960, at the tiny Sullivan Street Playhouse in Greenwich Village, The Fantasticks opened on the sparsest of budgets and ran uninterrupted for nearly 42 years, closing on January 13, 2002 after a record 17,162 performances. Its elegance and simplicity endured four decades of the chaotic world going “Round and Round” while its creators continued their evolution into several uptown successes. Including 110 In the Shade and I Do! I Do!, the jewel box of creativity that is the Jones and Schmidt collaboration is perhaps the most steadfast of its kind.

This program is set among excerpts of letters and archival interviews with George Gershwin and his brother and lyricist Ira Gershwin, his longtime musical collaborator Kay Swift, and the legendary pianist Oscar Levant. The words of Todd Duncan and Anne Brown, the original Porgy and Bess, provide an intimate perspective on the creation of Gershwin’s “folk opera” and the invaluable contributions of its performers. Peppered among hits like “Embraceable You” and “Love Is Here To Stay” are pieces of essays written by George Gershwin in which he pondered and pontificated on the meaning of “jazz” and the definition of “music” itself. Asserting his constant effort to eschew genres, Gershwin wrote: “From any sound critical standpoint, labels mean nothing at all. Good music is good music, even if you call it ‘oysters.’”

A young orphan bear named Bongee befriends Princess Katrina. When the witch Bandrilla casts a spell on the people of the Kingdom preventing them from doing what they love most, dancing, Bongee Bear set out to break the spell.

This Christmas, Disney Parks celebrates the joy of the holiday season, as hosts Julianne Hough and Nick Lachey take viewers on a magical ride down Main Street, U.S.A. and beyond. Co-hosted by Jesse Palmer, the Christmas Day celebration will be brighter than ever before, bringing together the beloved Christmas Day parade, magical musical performances, surprise celebrity guests and heartwarming family stories to celebrate the most wonderful time of the year.

Inspired by the true-life experience of its star George Takei, Allegiance follows one family's extraordinary journey in this untold American story following the events of Pearl Harbor. Their loyalty was questioned, their freedom taken away, but their spirit could never be broken.

Rent Filmed Live in Broadway es el resultado de la grabación, con cámaras de alta definición, de la última función de Rent en Broadway. Proyectada en Septiembre de 2008 en algunos cines de Estados Unidos y Canadá, aquellos que pudieron asistir a dichas proyecciones manifestaron que la experiencia de ver "Rent" en alta definición fue tan asombrosa que daba la sensación de estar ahí mismo, en el escenario, con los artistas. Rent es un musical compuesto por Jonathan Larson, que falleció a causa de un aneurisma de aorta la víspera al estreno de su obra. Ganó 4 Premios Tony y el Premio Pulitzer. Se estrenó en Nueva York el 29 de abril de 1996 en el Nederlander Theatre, donde continúa como el septimo show con más representaciones en Broadway. Inspirado en la ópera "La Bohème" de Puccini, el musical se centra en un año en la vida de un grupo de jóvenes artistas y músicos tratando de sobrevivir en el Nueva York de principios de la década de los 90's, bajo la sombra del SIDA. (FILMAFFINITY)