Germaine Reinhardt
Teenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy.
A bisexual junkie poet (Stavros Zalmas) driving coast-to-coast first picks up a hunky hitchhiking sailor (Howard Napper) and then an androgynous waitress (Valda Drabla) as companions. They form an uneasy erotic triangle that will finally implode in a fateful desert episode. Greek director Constantine Giannaris' moody short black-and-white feature, set to British trumpeter John Eacott’s old-school jazz combo score, is very much in the mode of the New Queer Cinema movement of its era. It unfolds almost entirely without dialogue (although with the voice of Kevin Graal as an all-seeing narrator) as the photogenic protagonists’ classic convertible travels west across a timeless America of diners, pool halls and prairie landscapes.
Alter-Ego
Brooke Dammkoehler’s meditation on the rise to stardom of a glamorous movie idol (modelled after Greta Garbo), draped in gorgeous black & white photography and a tone of delirious grandeur.
