Subodh Maskara

A brooding, alcoholic police officer with a painful past is sent, against his will, to a government guest house high up in the icy cold, mountains of Himachal Pradesh to investigate the death of a 17 year old girl. The case, reported as a wolf attack, turns out to be a murder. The girl was shot in the head before being eaten by the wolves. All 5 inhabitants of the resoprt are suspects, with each one having an alibi. To the horror of Daljeet, the police officer, this also happens to be a dry resort without any access to alcohol for miles all around. As the the layers of the story start to unravel, the officer has to fight his own frail health and withdrawal from alcohol addiction to find the murderer before it is too late. The only sliver of hope is the one single witness- the murdered girl herself.

Malti Mhaske is accused of murdering her high class owner, Kavya. Tara is defending Malti against the state in the courtroom. In a case that is hard to win Tara brings forth the subdued mental state of a physically abused "at the hands of her former caretaker" Malti. As the case unfolds so do complexities of the lives of Malti and her owner.

A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).

Hasmukh Mehta loves power. He exercises power over his family and even those who work under him in his business empire. His son Ajit Mehta offers a weak foil to Hasmukh's assertive behavior. His wife Sonal is the butt of his jokes and an easy target for his blame games. Ajit's wife, Preeti copes with her father's insufferable behavior by simply giving in. All are waiting for the day the old man will die and leave his vast fortunes to them. He does die, but he does not leave his fortunes to them. Not only that he uses his money as a bait to make them act according to his will, literally ruling them from his grave through a convoluted will that has them doing exactly what he wants them to do. Through his will, he instructs his mistress Kiran Jhaveri to live with his family, using her as a proxy for him, while he enjoys his power even as a ghost! But even the most perfect of plans don't always go the way they are supposed to.

Mina (Nandita Das) es una actriz india de éxito en Mumbai, que no puede olvidar a su hermana pequeña Sita, de quien fue separada a la fuerza después de la muerte de su madre en un pueblo. Treinta años después, Mina finalmente se enterará de que Sita está bien y vive en Barcelona. Sin embargo, los padres adoptivos de Sita le han escondido su historia. Ahora se llama Paula (Aina Clotet), es bióloga y no tiene ningún recuerdo de su pasado. Paula emprenderá el viaje de descubrimiento de su verdadera identidad con la ayuda de Prakash (Naby Dakhli), un atractivo inmigrante indio que vende películas de Bollywood en el barrio barcelonés del Raval.

The play depicts the lives of seven people living in Mumbai, all with their own uniquely moving story. It tries to capture the essence of people living in the city through seven characters who have been strung together in a series of monologues. Stories about the ambitions of a child artist, the escape of a ridiculed wife into art, a single mother’s sacrifice of her life for the sake of her children, child abuse, a TV reporter’s regret of the media’s inability to celebrate positivism rather than sensationalism and negative news, a hilarious take on corruption by a broker and the west beckoning today’s youth are all interwoven. Each character, marked by failure and doubt are clearly self –censored. While they may communicate through candid expression, they subtly allude to greater truths.

The story of a middle aged woman caught in her destiny and circumstances who tries to find fulfilment in relationships outside her marriage.

The story of two bharathanatyam dancers contrasted with that of their daughter, revelation of dark family secrets and conflicts between generations.