Continuation of the New Year saga "Yolki". This time, all the stories in the film will be based on real events.
"The Last Six Degrees of Celebration" will be the most touching, kind and magical of all, because your favorite characters will say goodbye to the audience. The film almanac will include five New Year stories. In the novel "Pines" millenial will help his brutal stepfather, Uncle Yura, to make a marriage proposal. In "The Brothers", the inseparable friends, Borya and Zhenya, will once again be on the verge of breaking up, because Zhenya is going to return to Yakutsk. The skier and snowboarder turned the whole city over for the sake of the smile of one beauty in the short story “Restaurant of quick acquaintance”. “The Station for Three” will tell the story of a simple girl from Voronezh who went in pursuit of her happiness - the capital actor Komarovsky, and in the novel “Bad Grandpa” the Snow Maiden will go to save a lonely, but very grumbling grandpa.
As the new year celebrations approach, a bunch of characters throughout Russia experience diverse situations that eventually get interconnected towards a joyous finale.
This time on New Year, the favourite heroes of “Yolki” perform the usual nonsense and hope for a miracle. Borya needs to somehow restore family happiness, and for its sake is ready to steal a penguin from his best friend Zhenya. The Skier and Snowboarder have not matured and stage a mad chase for a Christmas tree. Manya learns how to use the Internet in the hope of finding her old love. The professor from Yekaterinburg has settled down, but now he goes mad from jealousy. In the far North a safety engineer must take a risk and, at last, confess his love. The bloggers who remained with- out Internet have to get out of a lift. Well, and the penguin simply needs to sit down urgently on an egg...
100 years ago, the Russian Empire ... Christmas Eve. December plugs, holiday celebrations, balls and modest luxury holidays, titled nobles and ordinary peasants, the royal family and the soldiers of the First World War, progressive poets and the first skaters - everything was different, except ... the holiday. People prepared, lived, believed dreaming and waiting for this miracle - Christmas!
And again a heroes of "Yolki" series are ready and prepared for a New Year.
A lot of things happened in the life of "Yolki" hepes during the last year, but here it's again - the New Year's eve...
A collection of several interlinked stories that happen on the New Year's eve...
The owner of a beautiful voice, Nikolai Bakhin, dreaming of getting into the Bolshoi Theater, takes vocal lessons from the famous singer and teacher Irina Tarnopolskaya. Bakhin is taken to the theater. After an internship at La Scala, success comes to the hero and the first invitation to Italy. Upon learning that Tarnopolskaya was in a car accident, Nikolai interrupts the tour and flies to Moscow...
1980 Bolshoi production of the Rimsky-Korsakov opera conducted by Yuri Simonov.
Marfa
This performance, recorded live at the Bolshoi Opera in 1979, stars the great Russian bass Evgeny Nesterenko as Dosifei, the Old Believer at religious and psychological war with the new order, led by Prince Ivan Khovansky. The manipulative Khovansky is powerfully portrayed here by Alexander Vedernikov, another of the world’s greatest basses, little known outside of the Soviet Union. Marfa, one of Dosifei’s followers and a fortune teller, is sung by the legendary mezzo-soprano Irina Arkhipova in a performance of great authority and dignity. Russian opera at the Bolshoi is the genuine article and the remainder of the cast is equally impressive, from the mistrusting Prince Galitsyn of Evgeny Raikov to the clever, informing Shaklovity of Vladislav Romanovsky. The Bolshoi chorus and orchestra is conducted by Yuri Simonov.
Marina Mnichek
Universally acknowledged as the greatest of all Russian operas, this is a faithful and often dazzling production of the standard Rimsky-Korsakov version taped live at the Bolshoi in 1978. As Boris, the renowned Yevgeni Neterenko is as justifiably identified with the role in his generation as Chaliapin, London and Kipness were in theirs. Nesterenko gives a remarkably vivid, human portrait of the tormented half-crazed Tsar, and is supported by a first rate ensemble in a richly designed and costumed production that represents opera at its grandest. Particularly outstanding are Vladislav Piavko as the Pretender, Valery Yaroslavtsev as Pimen, Irina Arkhipova as Marina (a role generally associated with Vishnevskaya), Galina Kalinina as Xenia, and Alexsei Maslennikov as the Simpleton.
