Dilip Gupta

Sibling rivalry abounds in this film about two privileged brothers, Anwar and Nawab, and the women who come between them. Nawab, although a married man and father, engages in frequent secret rendezvous with his mistress, Benazir. Meanwhile, Anwar declares his love for a woman named Shahida, whom he desires to wed. So when Nawab witnesses Anwar in the arms of the lovely Benazir, he's outraged -- and puzzled -- by the brotherly betrayal.

Arun begins hating Kavita when he is forced to drop out of college after a misunderstanding with her. But when he loses his vision in an accident, Kavita poses as his fiancée and takes care of him.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.

Two street urchins dream of singing and making it big in the glamorous world of theatre in Calcutta.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.