Mátyás Prikler

It’s summer in Budapest, high school student Abel is struggling to focus on his final exams, whilst coming to the realisation that he is hopelessly in love with his best friend Janka. The studious Janka has her own unrequited love with married history teacher Jakab—who had a previous confrontation with Abel’s conservative father. The tensions of a polarised society come unexpectedly to the surface when Abel’s history graduation exam turns into a national scandal.

A boy is accidentally killed at an informal hunt somewhere on the border of two Central European countries. One of the people involved in the incident, Minister Berger, is the hot candidate for the influential international post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.

A boy is accidentally killed at an informal hunt somewhere on the border of two Central European countries. One of the people involved in the incident, Minister Berger, is the hot candidate for the influential international post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.

A boy is accidentally killed at an informal hunt somewhere on the border of two Central European countries. One of the people involved in the incident, Minister Berger, is the hot candidate for the influential international post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Tibor and Niki, father and daughter. The young girl was only five years old when they last saw each other, before Tibor was sent to prison. He is released seven years later and tries not to think about the past. Yet he can’t erase his daughter from his life and so they are compelled to start over from the beginning. Both are irresistibly charismatic, headstrong and irascible, but also determined to find a way back to one another.

A mysterious wanderer (Isaach De Bankolé) settles into a strange homestead on the parched Hungarian plains populated by an odd assortment of outcasts, in this stunning, dreamlike reverie from ambitious director Szabolcs Hajdu.

One fairy tale, one sad funeral, one ruined Christmas and one wild wedding. Stories of three men and their families that are affected by the current financial crisis.